If I could insert my own reverb on a track by track basis ...

If I could insert my own compressors ...

If I could use a transient shaper VST ...

It could sound a lot more like what people are accustomed to hearing.  
Hopefully in some Finale release soon.



On 12/3/2013 2:37 PM, Williams, Jim wrote:
> Part of this situation may well involve Human Playback. It still is NOT clear 
> to me that HP interprets dynamics correctly/wisely. It seems to use a 
> combination of CC7 volume and CC1 modwheel. Under that circumstance, the tone 
> of winds and brass will not change as much as it would if CC1 dominated the 
> dynamics.
>
> The tradeoff with Garritan samples is cost, integration with Finale, and 
> library size versus expressive capability.
> To that end, the samples were designed such that velocity controlled attack 
> for winds and brass instead of having various attack samples, and CC1 
> controlled volume AND added brightness via filter as dynamics increased 
> (instead of using multi-velocity-layer samples). The samples were also 
> offered dry, in order to allow users to control the sound environment.
>
> Of course, ANY sample library will sound bad out of the box. Having said 
> that, I will also express an opinion that MM has done a very poor job of 
> integrating Garriten instruments into the operation of Finale. Furthermore, 
> HP remains a black box with limited customization, and the MIDI Tool--the 
> ideal place to do tweaking--has remained unchanged since I first bought 
> Finale 2.0 in 1989 or so. Configuration files and essential XML files are 
> strewn about a user's hard drive instead of having a central location, and 
> simple typos in XML files prohibit users from loading instruments properly.
>
> When MM acquired Garritan's IP, I hoped for seamless integration into Finale. 
> If anything, it's gotten worse instead of better.
>
> James C. Williams, MBA, CFP
> E. B. Lacy Professor of Business
> Franklin College
> Euphonium Player Around several Towns


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