To amplify Chuck's point, it's important to understand that the musical samples 
using the JABB library on the Garritan site were not generated from Finale. 
They were created using digital audio workstation software, which is really the 
environment for which these samples were originally designed.

Cheers,

- DJA
-----
WEB: http://www.secretsocietymusic.org

On Dec 4, 2013, at 12:01 AM, Chuck Israels <[email protected]> wrote:

> Don't know how to measure the amount of tweaking to get Margot's Mood to 
> sound like that, but I can tell you I couldn't even imagine how it was done.  
> I know Robert Sogetti did the work on the Garritan examples in my arranging 
> book (Gary Garritan instigated the writing of the book, found and hired 
> Robert to do the work) and the results are pretty musical. Again, no idea 
> what goes into that, but it's a lot. 
> 
> Chuck Israels
> (360) 201-3434
> Sent from my iPad
> 
>> On Dec 3, 2013, at 8:04 PM, Girard Bowe <[email protected]> wrote:
>> 
>> Thanks for all the replies. Chuck weighed in first last night before the
>> sale ran out, so Garritan JABB3 is on my desktop waiting to be opened.
>> 
>> Check out the samples on the Garritan site:
>> 
>> http://www.garritan.com/products/jazz-big-band-3/
>> 
>> How much tweaking had to be done here?
>> 
>> Can anyone point me to some self-help resources for setting up & maximizing
>> Garritan JABB?
>> 
>> Thanks again!
>> 
>> Giz
>> Richmond VA
>> 
>> |-----Original Message-----
>> |From: [email protected] [mailto:[email protected]] On Behalf Of
>> |Craig Parmerlee
>> |Sent: Tuesday, December 03, 2013 2:10 PM
>> |To: [email protected]
>> |Subject: Re: [Finale] Garritan Sale
>> |
>> |I agree 100% with what Chuck said. Without tweaking, it is pretty lame.
>> |I struggle with the volume levels.  I really have to work to get anything
>> heard in
>> |the mix. Spreading out the stereo field helps a lot. 
>> 
>> 
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>> 
> 
> 
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> 



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