On 4/14/2014 6:42 AM, Christopher Smith wrote:
[snip]
>
> My only explanation is that I have so seldom seen jazz written in C clef, 
> while most 19th C orchestra repertoire IS written in C clef (first trombone 
> particularly), that I automatically go into the kind of tone production, 
> style and articulation associated with the 19th C orchestra stuff whenever a 
> C clef comes up. I suppose it might be possible to create a new set of 
> default reactions in myself, but I would have decades of reactions to the 
> contrary to overcome. Virtually 100% of the big band repertoire I have seen 
> is in bass clef (with 8va signs when it gets very high) so that informs my 
> "defaults". I COULD play a jazz part in C clef, but it would add a layer of 
> decoding that might hang me up a bit, and most likely require more practice.
>
> Strangely, when playing small-group jazz, concert-pitch treble clef lead 
> sheets are the norm, but since I am supposed to be choosing my own octave 
> (and phrasing/paraphrasing) when playing small-group jazz, that is a somewhat 
> different set of default reactions that when I play jazz arrangements.
>
> I have heard of similar reactions among horn players. They much prefer to see 
> a part in the original transposition, rather than "normalised" to F horn. 
> They don't approach the note the same way when it might be the same pitch for 
> F horn, or C horn, or D horn, etc. You could even make the argument that 
> there is different information in the different transposition. In fact, I 
> suspect that most alto trombone players would have trouble playing a bass 
> clef part! I can't recall ever having seen one, even once. (Possibly a first 
> trombonist in a full time orchestra could contradict me, but that has been my 
> experience so far.)
>
[snip]

Thank you for taking the time to give such a detailed reply.  I had 
thought it might be the sort of thing you describe.

And a very good caution for people writing tbone parts for a jazz 
orchestra -- a reminder to keep those parts in bass clef.

Thanks!


-- 
David H. Bailey
[email protected]
http://www.davidbaileymusicstudio.com

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