On second thought, Robert is correct.
How about a measure or two with the 16th, then revert to the original with
a "cont. sim."?
On Mar 20, 2015 11:45 PM, "Robert Patterson" <[email protected]>
wrote:

> I hate to be a nay-sayer, but I agree with the string player. Even placing
> up-bow and down-bow markings doesn't clarify the notation, because the
> whole point of portato is that the bow doesn't change direction. Plus, I've
> found my guesses about the most convenient up- or down- bowings of a given
> passage are often wrong, so I try to avoid being prescriptive outside of
> special effects.
>
> The clearest notation in this case is an eighth slurred to a sixteenth. You
> can probably get by with the eighths by adding a comment like "clip
> staccato notes".
>
>
>
>
> On Fri, Mar 20, 2015 at 10:25 PM, Darcy James Argue <[email protected]>
> wrote:
>
> > Yes, that solution seems infinitely preferable to filling out all the
> > beats with rests.
> >
> > Cheers,
> >
> > - DJA
> > -----
> > WEB: http://www.secretsocietymusic.org
> >
> > On Mar 20, 2015, at 9:50 PM, Raymond Horton <[email protected]>
> > wrote:
> >
> > > On Fri, Mar 20, 2015 at 7:11 PM, Chuck Israels <[email protected]>
> > wrote:
> > >
> > >> I guess I could just show a down-bow on the first pair and an up-bow
> on
> > >> the second pair.)
> > >
> > >
> > > ​That works​!
> > >
> > >
> > > Raymond Horton
> > > Bass Trombonist, Louisville Orchestra
> > > Minister of Music, Edwardsville (IN) UMC
> > > Composer, Arranger
> > > VISIT US AT rayhortonmusic.com
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