This seems the most simple and correct, imo. The Bb major chord is only altered by the tonic being raised a C. I think that this resulting chord, as a passing tone, could unimaginatively resolve to an F maj. second inversion.
tim On Mar 24, 2016, at 2:56 PM, Steven Larsen wrote: > In a word, no. In a tonal context it could be analyzed in a couple of > different ways, but I'd have to see what else was happening around it. As a > chord symbol it would be: > BbMaj/C > > Steve Larsen > > -----Original Message----- > From: Marcello Noia [mailto:[email protected]] > Sent: Wednesday, March 23, 2016 2:41 AM > To: [email protected] > Subject: [Finale] OT Music theory question > > Hi, due to my huge lackness in harmonical theory, I ask this: > is there a technical term to define a chord formed by (starting from low > note) perfect fourth-perfect fourth-major third (for example C-F-Bb-D). > I see it often used in vocal arrangements (Jonathan Rathbone for Swingle > Singers for example), sometimes also in progression for ascending or > descending whole tones or half-tones. It creates a beautiful "suspended" and > "misterioso" atmosphere. > Thanks > > > _______________________________________________ > Finale mailing list > [email protected] > https://lists.shsu.edu/mailman/listinfo/finale > > To unsubscribe from finale send a message to: > [email protected] _______________________________________________ Finale mailing list [email protected] https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: [email protected]
