This is sometimes referred to as the "Carol King chord,"  as she used it quite 
often in her music. It is most often written as Bb/C, and is used as a sus 
chord, in this case C7sus4 in the key of F.

> On Mar 24, 2016, at 12:11 PM, timothy price <[email protected]> wrote:
> 
> This seems the most simple and correct, imo.
> The Bb major chord is only altered by the tonic being raised a C. 
> I think that this resulting chord, as a passing tone,
> could unimaginatively resolve to an F maj. second inversion.
> 
> tim
> 
> 
> On Mar 24, 2016, at 2:56 PM, Steven Larsen wrote:
> 
>> In a word, no. In a tonal context it could be analyzed in a couple of
>> different ways, but I'd have to see what else was happening around it. As a
>> chord symbol it would be:
>> BbMaj/C
>> 
>> Steve Larsen
>> 
>> -----Original Message-----
>> From: Marcello Noia [mailto:[email protected]] 
>> Sent: Wednesday, March 23, 2016 2:41 AM
>> To: [email protected]
>> Subject: [Finale] OT Music theory question
>> 
>> Hi, due to my huge lackness in harmonical theory, I ask this:
>> is there a technical term to define a chord formed by (starting from low
>> note) perfect fourth-perfect fourth-major third (for example C-F-Bb-D).
>> I see it often used in vocal arrangements (Jonathan Rathbone for Swingle
>> Singers for example), sometimes also in progression for ascending or
>> descending whole tones or half-tones. It creates a beautiful "suspended" and
>> "misterioso" atmosphere.
>> Thanks
>> 
>> 
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> 
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**********************************
Lon Price
[email protected]
http://www.txstnr.com/





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