Check out the Real Book, Vol. 1 (Hal Leonard Edition), page 102 - Dear Old 
Stockholm.  The second chord is D-9#5, so that’s at least one example of the 
chord being used in a publication.

> On Jul 30, 2016, at 8:52 AM, GERALD BERG <[email protected]> wrote:
> 
> Problem there is a #5 needs a major third (D# in this case) to sound 
> augmented otherwise it just sounds like a perfect 4th. GJB
> 
>      From: Lon Price <[email protected]>
> To: [email protected] 
> Sent: Saturday, July 30, 2016 11:26 AM
> Subject: Re: [Finale] chord question
> 
> B-9#5
> 
>> On Jul 29, 2016, at 4:39 PM, GERALD BERG <[email protected]> wrote:
>> 
>> blockquote, div.yahoo_quoted { margin-left: 0 !important; border-left:1px 
>> #715FFA solid !important; padding-left:1ex !important; 
>> background-color:white !important; }  I think to call something a flat 6th 
>> you need a fifth. You have a G/D thing happening.
>> 
>> GJB
>> Sent from Yahoo Mail for iPad
>> 
>> 
>> On Friday, July 29, 2016, 7:12 PM, Haroldo Mauro <[email protected]> wrote:
>> 
>> It sounds like a G Major chord with added 9th and #11 - no 7th
>> 
>> Harold
>> 
>> 
>> 
>> On 29/07/2016, at 19:56, martin nickless wrote:
>> 
>>> hi regarding B-9 [b6]
>>> 
>>> the notes are from bottom up
>>> 
>>> B A D G Db
>>> 
>>> thanks
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> 
> Lon Price
> [email protected]
> 
> 
> 
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> 
> 
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Lon Price
[email protected]



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