blockquote, div.yahoo_quoted { margin-left: 0 !important; border-left:1px
#715FFA solid !important; padding-left:1ex !important; background-color:white
!important; } LOL Close enuff for jazz I guess!
From an improv vamping POV it proves convenient, and that may well be all that
is required. But I can't see calling the 6th degree of a minor scale - Bb here
- a #5 in any theory book.
Playing the chords in context it sounds like what it is: a minor 6th.
Alone it sounds like Bb/D b5.
Thanks for the example! Well found.
GJB
Sent from Yahoo Mail for iPad
On Saturday, July 30, 2016, 12:20 PM, Lon Price <[email protected]> wrote:
Check out the Real Book, Vol. 1 (Hal Leonard Edition), page 102 - Dear Old
Stockholm. The second chord is D-9#5, so that’s at least one example of the
chord being used in a publication.
> On Jul 30, 2016, at 8:52 AM, GERALD BERG <[email protected]> wrote:
>
> Problem there is a #5 needs a major third (D# in this case) to sound
> augmented otherwise it just sounds like a perfect 4th. GJB
>
> From: Lon Price <[email protected]>
> To: [email protected]
> Sent: Saturday, July 30, 2016 11:26 AM
> Subject: Re: [Finale] chord question
>
> B-9#5
>
>> On Jul 29, 2016, at 4:39 PM, GERALD BERG <[email protected]> wrote:
>>
>> blockquote, div.yahoo_quoted { margin-left: 0 !important; border-left:1px
>> #715FFA solid !important; padding-left:1ex !important;
>> background-color:white !important; } I think to call something a flat 6th
>> you need a fifth. You have a G/D thing happening.
>>
>> GJB
>> Sent from Yahoo Mail for iPad
>>
>>
>> On Friday, July 29, 2016, 7:12 PM, Haroldo Mauro <[email protected]> wrote:
>>
>> It sounds like a G Major chord with added 9th and #11 - no 7th
>>
>> Harold
>>
>>
>>
>> On 29/07/2016, at 19:56, martin nickless wrote:
>>
>>> hi regarding B-9 [b6]
>>>
>>> the notes are from bottom up
>>>
>>> B A D G Db
>>>
>>> thanks
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>
> Lon Price
> [email protected]
>
>
>
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>
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Lon Price
[email protected]
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