anyone have any preferences or suggestions about whether to transpose up or down?
the musician plays piano as well as keyboard (most likely sitting on the piano), the keyboard is tuned 1/4 tone away from the piano. keyboard in the score is notated using 1/4 and 3/4 sharps (1/4 flats used only in rare cases in super tight clusters), so my thinking is that tuning up is most logical: G-3/4# in the SC is G# in the PT, rather than A. i'm thinking this would seem easiest for whoever reads both SC and PT, but the percussionist plays 2 vibraphones, one tuned down a quarter tone, so the composer thinks that is best for consistency. thanks, jef -- neueweise -- fonts for new music (and traditional) notation http://newmusicnotation.com/fonts.html shirling & neueweise | http://newmusicnotation.com new music notation + arts management + translation [FB] http://facebook.com/neueweise | [TW] http://twitter.com/neueweise _______________________________________________ Finale mailing list [email protected] https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: [email protected]
