yeah you are right, but this is a trio, not an ensemble or orchestral work.
the part will be written in half-tones (natural, sharps). the question is whether there is any other factor than consistency (e.g., 1/4-tone vibe and keyboard both transpose down) -- perhaps similitude is a more appropriate word here -- or closer correspondence to pitch names (keyboard is transposed up, so G3/4# in SC = G# in PT) that i might want to take into consideration. >Consistency? I think that's irrelevant; after all, in a regular >orchestra there are instruments in different keys, the transposing >instruments are not all in Bb, but since it is an electronic >instrument that is being retuned, there is no problem with strings >snapping so I think the decisive factor should be which notation is >likely to make the keyboard part easier to read/play, especially if >having to switch from keyboard to piano. -- neueweise -- fonts for new music (and traditional) notation http://newmusicnotation.com/fonts.html shirling & neueweise | http://newmusicnotation.com new music notation + arts management + translation [FB] http://facebook.com/neueweise | [TW] http://twitter.com/neueweise _______________________________________________ Finale mailing list [email protected] https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: [email protected]
