Hi,
I'm sorry if I gave impression to criticize this or that 'current' of
contemporary music; that's the problem maybe, it was a 'current' (quite
old just now, b.t.w.). I agree that Giovanni has to deal with the needs
of his client.
all best,
Paolo
Il 30/05/2019 11:14, Paolo Alberto Rismondo ha scritto:
Hi,
we are dealing with arithmetic, not even with mathematics; 3+3=6, no
matter what you can 'feel'. The musical expression comes through the
notation, but it is not the notation.
Cheers,
Paolo
Il 30/05/2019 10:31, SN jef chippewa ha scritto:
criticizing a particular notation without knowing the context, piece
or composer is wrong (and silly).
there is no need to subtly slam new complexity composers, this rhythm
is hardly complex, and the OP asked how to do it, not if it was
"wrong". further, to discredit an entire practice (one you seem to
feel is unifed ["they are wrong"], though this is hardly the case)
based on such a simple rhythm, which quite possibly has nothing to do
with new complexity, is kind of reactionary.
the context of this rhythmic division (which i also don't know) could
very well be explained by looking at surrounding measures or other
similar instances in the piece, perhaps reflecting a proportional
relation that is important to the proper understanding and
performance of the piece. personally, i would need to start there
before at all being able to judge whether *i* feel it is wrong -- in
*that* context.
At 12:22 AM +0200 5/30/19, <[email protected]> wrote:
I can't figure that rhythm; how on earth you can write it? two
dotted halves makes six quarter, not five. You can find such rhythms
in contemporary ('new complexity') composers, but they are wrong
(and silly).
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