interesting i thought those examples were generating a waveform? did that
ever get packaged as a library? i remember it from a few years back but
haven't looked since...


On 8 February 2011 17:03, Glen Pike <g...@engineeredarts.co.uk> wrote:

> At this point, you might want to take advantage of one of the "synth"
> libraries of AS3 and use the mp3 files as your wave-table then add your
> filters & envelope generators just like a normal sample-based synth.
>
> Probably overkill for an online distraction, but if you are going for
> quality / realism, then worth considering.  Have a look at some of Andre
> Michelle's examples or see if you can find the Flashcodersbrighton
> experiments with as3 synths if you are interested.
>
>
>
>
> On 08/02/2011 15:35, tom rhodes wrote:
>
>> multisampled pianos are available without having to record it all
>> yourself!
>>
>> you'd still have to be loading a hell of a lot of wavs for it to sound
>> half
>> decent though, and probably code up something to handle the release of the
>> keys properly...
>>
>>
>> On 8 February 2011 16:27, Kerry Thompson<al...@cyberiantiger.biz>  wrote:
>>
>>  Jason Merrill wrote:
>>>
>>>
>>>  I was going to say something similar to what Kerry said - taking samples
>>>>
>>> from the real world as separate MP3 files.  It would seem to be pretty
>>> easy
>>> (albeit somewhat time consuming) to do that if you had a moderately OK
>>> mic
>>> (even one from Best Buy) and access to a piano or even a synthesizer.
>>> Then
>>> you'd have a library to work from.  You could preload all possible notes
>>>  -
>>> being they would be quite small files individually, wouldn't be too bad.
>>>  Heck, you could sell the library online for some small bucks and make
>>> money.
>>> ----------------------------------------------------------------------
>>>
>>> You could go further than recording all 88 notes. A soft note has a
>>> different timbre, attack, and decay from a loud note. For such a
>>> library to be really valuable, you would need to have different
>>> attacks at different volume levels.
>>>
>>> At least you don't have to worry about legato, since a piano can't
>>> play true legato like a violin or French Horn. A non-accented attack
>>> would do well for legato.
>>>
>>> Cordially,
>>>
>>> Kerry Thompson
>>>
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>>
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