I think they are, but you could substitute your generated waveform for sound data from a file - the hack the system used relied on loading in a single mp3 then "injecting" sound data into it...

Glen

On 08/02/2011 16:18, tom rhodes wrote:
interesting i thought those examples were generating a waveform? did that
ever get packaged as a library? i remember it from a few years back but
haven't looked since...


On 8 February 2011 17:03, Glen Pike<g...@engineeredarts.co.uk>  wrote:

At this point, you might want to take advantage of one of the "synth"
libraries of AS3 and use the mp3 files as your wave-table then add your
filters&  envelope generators just like a normal sample-based synth.

Probably overkill for an online distraction, but if you are going for
quality / realism, then worth considering.  Have a look at some of Andre
Michelle's examples or see if you can find the Flashcodersbrighton
experiments with as3 synths if you are interested.




On 08/02/2011 15:35, tom rhodes wrote:

multisampled pianos are available without having to record it all
yourself!

you'd still have to be loading a hell of a lot of wavs for it to sound
half
decent though, and probably code up something to handle the release of the
keys properly...


On 8 February 2011 16:27, Kerry Thompson<al...@cyberiantiger.biz>   wrote:

  Jason Merrill wrote:

  I was going to say something similar to what Kerry said - taking samples
from the real world as separate MP3 files.  It would seem to be pretty
easy
(albeit somewhat time consuming) to do that if you had a moderately OK
mic
(even one from Best Buy) and access to a piano or even a synthesizer.
Then
you'd have a library to work from.  You could preload all possible notes
  -
being they would be quite small files individually, wouldn't be too bad.
  Heck, you could sell the library online for some small bucks and make
money.
----------------------------------------------------------------------

You could go further than recording all 88 notes. A soft note has a
different timbre, attack, and decay from a loud note. For such a
library to be really valuable, you would need to have different
attacks at different volume levels.

At least you don't have to worry about legato, since a piano can't
play true legato like a violin or French Horn. A non-accented attack
would do well for legato.

Cordially,

Kerry Thompson

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