Quoting Rip Van Wormer <[EMAIL PROTECTED]>:

> > > moreover being obsolete as means of communication does not = death.
> 
> Dead art is the best kind, I've found. Isn't the most moving and relevant of
> art always ultimately (in some way) about death? What better context could 
> there be to display themes of mortality than a medium or movement immersed 
> in entropy and stagnation?
> 
> Art doesn't become ripe until it smells ripe.

I always preferred mine to be like roadkill on a hot asphalt road, baked and 
dried until it is stiff; with a stale odor and little cobwebs of bones sticking 
out from patches of fur.  I take it home and nail it to the barn door where me 
and the hounds can look at it until it disintegrates a few years later. 
 
-- 
Joseph Franklyn McElroy 
Cor[porat]e [Per]form[ance] Art[ist]�
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Quoting Rip Van Wormer <[EMAIL PROTECTED]>:

> > > moreover being obsolete as means of communication does not = death.
> 
> Dead art is the best kind, I've found. Isn't the most moving and relevant of
> 
> art always ultimately (in some way) about death? What better context could 
> there be to display themes of mortality than a medium or movement immersed 
> in entropy and stagnation?
> 
> Art doesn't become ripe until it smells ripe.
> 
> _________________________________________________________________
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> 
> 


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