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*This Week [March 2 - 10, 2024] in Avant Garde Cinema*




To receive the weekly listing directly via email rather than through
Frameworks, just hit Subscribe
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*DEADLINES APPROACHING*
**** Enter upcoming calls for entry here
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___________________________________________________________________________________
*sorted by submission deadline*
03.03.2024 Film Farm
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c38979f015&e=857b71a9cb>
03.10.2024 Mimesis Doc Fest
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a99ce371af&e=857b71a9cb>
(Regular Deadline)
03.15.2024 RPM Fest - Revolutions Per Minute Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a0cd481d63&e=857b71a9cb>
(Late Deadline)
03.15.2024 Found Footage Magazine
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=efe800261e&e=857b71a9cb>
03.22.2024 Crescent City Film Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f92944dfcd&e=857b71a9cb>
(Extended Deadline)
03.25.2024 Oak Cliff Film Festival
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(Regular Deadline)
03.30.2024 Braziers International Film Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0652d10d75&e=857b71a9cb>
(Regular Deadline)
03.30.2024 Cauldron International Film and Video Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=896a07fa8a&e=857b71a9cb>
(Late Deadline)
03.31.2024 Experimental Film & Video Festival in Seoul (EXiS)
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=86faa4bf88&e=857b71a9cb>
03.31.2024 Laterale Film Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e4b0ef15fd&e=857b71a9cb>
(Sixth Deadline)
04.01.2024 Analogica
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f7b33a33ba&e=857b71a9cb>
(Late Deadline)
04.01.2024 Chicago Underground Film Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c9850d0731&e=857b71a9cb>
(Late Deadline)
04.01.2024 Sans Souci Festival of Dance Cinema
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=88b8735d16&e=857b71a9cb>
(Regular Deadline)
04.01.2024 The Franklin Furnace FUND for Performance Art
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04.05.2024 VSW Project Space Residency
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04.18.2024 Locarno Film Festival
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(Regular Deadline)
05.17.2024 Edinburgh Short Film Festival
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(Regular Deadline)
05.31.2024 San Diego Underground Film Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4a76114651&e=857b71a9cb>
(Early Deadline)
06.01.2024 Engauge Experimental Film Festival
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=41c09e40a6&e=857b71a9cb>


*EVENTS*
**** Enter your event announcements here
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****
___________________________________________________________________________________
*complicated sorting but a true attempt, enjoy!*

This week's programs (summary):

   - Mono No Aware In Residency @ Whammy!
   
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c67b63a2ba&e=857b71a9cb>
   [February 23 - March 3, Los Angeles, CA]
   - Ken Jacobs – From Orchard Street To The Museum of Modern Art
   
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=08139a0147&e=857b71a9cb>
   [March 1-3, New York, NY]
   - 48
   
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2340db6e32&e=857b71a9cb>
   [March 2, Berkeley, CA]
   - Gravitational Lensing - Prequel Screening & Fundraiser
   
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=34273680ee&e=857b71a9cb>
   [March 3, Oakland, CA]
   - Afterimage: Counter Cinema, Radical Cinema
   
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=693e355777&e=857b71a9cb>
   [March 4-17, New York, NY]
   - Open Air Screening Series Presents : Moon Cycle, 2024 By Justine Lai
   
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9fd5eabec9&e=857b71a9cb>
   [March 8-10, Brooklyn, NY]
   - The Long Conversation
   
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b52036575d&e=857b71a9cb>
   [ongoing, online]
   - 6x6 Project: Artists' Moving Image Works
   
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a40d67fe8b&e=857b71a9cb>
[ongoing,
   online]


*STARTING BEFORE MARCH 2, 2024* *February 23 - March 3*
Venue type: *Live, physical event*
*Whammy!*
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=64c02a12f9&e=857b71a9cb>
times vary, see below,
Whammy! 2514 Sunset Blvd. Los Angeles, CA (Entrance in rear off Rampart!)
*MONO NO AWARE IN RESIDENCY @ WHAMMY!*
This is a collaboration between Mono No Aware and Whammy! and T.A.P.E. and
the 818 Darkroom.

*FRI * February 23rd  *Presentation on MONO NO AWARE & Screening program
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2ecd669c80&e=857b71a9cb>
7 PM Meet & Greet, 8 PM : Conversation with Founder / Director of MONO
Steve Cossman and 16mm projections of commissioned works.

*SAT * SUN * February 24-25th * Two-Day intensive Intro to 16MM color
filmmaking on Bolex Camera
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5ba526f7e0&e=857b71a9cb>
12 - 6 PM An introduction to the Bolex Camera and a traditional Film to
Film workflow ending with a projectable color print & scan!

*SAT * February 24th*  Projection Basics for 16MM Tabletop models
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2b0a51e1e7&e=857b71a9cb>
7 - 10 PM Learn to set up, load, operate and maintain an EIKI tabletop
projector for standard and expanded cinema projections.

*SUN * February 25th*  Macro Cinematography on 16MM film
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=356b187508&e=857b71a9cb>
7 - 10 PM Learn to calculate proper exposure compensation and to measure
focal distances in order to film in extreme close-up on film!

*MON * February 26th*  Motion Picture Film as Still Film for Photography
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3380690798&e=857b71a9cb>
7 - 10 PM Learn how to spool down motion picture film short ends and
identify film stock properties, then upcycle them into still film canisters!

*TUES * February 27th*  Color Photograms on 16mm color print stock
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=47a91aca15&e=857b71a9cb>
7 - 10 PM Learn to paint with light on motion picture film, develop the
film by hand and project. Includes 100 of 16mm film to take home!

*WED * February 28th*  Test It Yourself ! T.I.Y. Super 8mm camera workshop
and hand processing B&W film
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c61bb2f67c&e=857b71a9cb>
7 - 10 PM - Bring a new or used camera to test. We'll cover all functions
of the camera, how to clean and fix minor issues, then film a test roll,
develop & project!

*THURS * February 29th*  Desktop Cinema : Print digital images directly
onto 16MM film from your home printer
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ff5619df44&e=857b71a9cb>
7 - 10 PM - Download, learn and use software that allows for multiple
techniques printing large image patterns and videos directly onto film.

*FRI * March 1st*  BYOB/W - Non-toxic developing workshop & Community mixer
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b4a670f052&e=857b71a9cb>
7 - 10 PM - Learn to mix a non-toxic developer using beer and coffee then
develop ANY format still or moving image black and white film !

*SAT * March 2nd*  The complete 16MM film to film workflow for B/W film;
titles, camera, developing, contact printing & projection
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fbbeb81f88&e=857b71a9cb>
11 AM - 8 PM - This is a one day intensive designed to carefully illustrate
how one can create, duplicate, archive and exhibit on 16mm film at home.

*SUN * March 3rd*  Moving Image Phytograms on 16MM film
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=56747df6f2&e=857b71a9cb>
11 AM - 3 PM - Forage for plant life then learn the technique of rendering
detailed chemical traces of plants directly on photographic emulsion.

*SUN * March 3rd*  FREE COMMUNITY SCREENING PARTY @ WHAMMY!
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5439744850&e=857b71a9cb>
7 PM Screening Premiere of ALL the films made through the residency this
week. Bring friends and family out to celebrate these new 16mm films.

*___________________________________________________________________*

*March 1 - 3*
Venue type: *Live, physical event*
*Anthology Film Archives*
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3907214790&e=857b71a9cb>
7:30pm ET each night,
32 Second Avenue, New York, NY
*KEN JACOBS – FROM ORCHARD STREET TO THE MUSEUM OF MODERN ART*
Fred Riedel, 2023, 98 min, DCP
Film Trailer here
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=975b1871b3&e=857b71a9cb>

Ken Jacobs is one of the titans of American experimental cinema, whose
ever-expanding body of work encompasses everything from anarchic
underground short films made in collaboration with Jack Smith and others
beginning in the late 1950s, the structuralist landmark *TOM, TOM, THE
PIPER’S SON* (1969), and the epic, politically impassioned assemblage *STAR
SPANGLED TO DEATH* (1956-2004), to his Nervous System and Nervous Magic
Lantern live cinema performances and his numerous experiments with
different forms of 3D image making. The enormity of Jacobs’s artistic
accomplishment, the freedom with which he’s explored new technologies, new
forms, and new ideas, and the degree of influence he’s exerted on other
artists are such that it’s hard to believe he’s never been the subject of a
feature-length documentary film portrait until now. Happily, Fred Riedel
has righted that wrong with the completion of *KEN JACOBS – FROM ORCHARD
STREET TO THE MUSEUM OF MODERN ART*, which comprises a sort of illustrated
guided tour through Jacobs’s life and work. Combining an extended and
sometimes disarmingly personal interview with Ken and his partner in life
and art, Flo Jacobs, with copious excerpts from his astonishingly
multi-faceted body of moving-image work, Riedel’s film demonstrates not
only Jacobs’s creative accomplishments but also his restless intelligence,
his inimitable personality, and his unheralded verbal genius.

“This is the third film in a series I’ve made exploring the creative
process in a purposefully low-key manner that permits me an unusual degree
of one-on-one intimacy with my subject over a long period of time. I have
known Ken Jacobs since I was a student of his in the 1970s. I later
distributed several of his films and curated screenings and collections in
NY (at P.S.1, the Bleecker Street Cinema, NYPL, etc.) which included his
work. It was primarily his films, especially *TOM, TOM, THE PIPER’S
SON* (1969),
that changed my view of cinema and led me back to his art again and again.
At an outdoor screening Ken presented at MoMA during the pandemic I was
struck by the sudden realization that I needed to make this film.” –Fred
Riedel

Plus: Ken Jacobs *DR. JEKYLL AND MR. HYDE* 2023, 8.5 min, digital

Total running time: ca. 110 min.

Director Fred Riedel will be here in person for all three screenings, and
will be joined by Ken Jacobs on Sat, Mar 2

*SATURDAY, MARCH 2, 2024* Venue type: *Live, physical event*
*Pacific Film Archive*
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6c7e35166b&e=857b71a9cb>
4PM PST, 2155 Center St, Berkeley, CA 94720
*48*
Susana de Sousa Dias, B&W, DCP, 93min, 2009, Portuguese with English
subtitles

Susana de Sousa Dias’s remarkable, hypnotic film is composed of photographs
from the archive of the Portuguese army, taken upon the arrest of political
prisoners during the forty-eight years of dictatorial regime in Portugal
and its colonies (1926–74). As prisoners stare out at us, we hear their
reflections on their time in prison, recorded by de Sousa Dias decades
after the Carnation Revolution, and are invited to contemplate what a
photograph reveals and what it conceals. A sequence featuring testimony of
Mozambican anticolonial resistance fighters, accompanied by slowed army
footage shot in Guinea-Bissau, acknowledges what is missing from the
archives. Sousa Dias reflected, “I came to realize that there is a reason
for the colonial wars having been a kind of taboo in Portugal for the first
three decades after the Revolution: The people who had been in Africa
fighting in the colonies were the very same people who carried out the
revolution.”

*SUNDAY, MARCH 3, 2024* Venue type: *Live, physical event*
*Shapeshifters Cinema*
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3b39223515&e=857b71a9cb>
6pm PST,
567 5th St, Oakland, CA
*GRAVITATIONAL LENSING - PREQUEL SCREENING & FUNDRAISER*
March is Women's History month! And we are kicking off this month's
programming with a stellar screening of films made over the past 50 years
that speak to a spectrum of women's issues including mother-child
relationships, mental health and self-determination.

This very special screening will include the films *Schmeerguntz* (1965)
by Gunvor Nelson & Dorothy Wiley, *Anything You Want to Be* (1971) by Liane
Brandon, *Women and Children at Large* (1973) by Freude, *Killing Time* (1979)
by Fronza Woods, *Artificial Paradise* (1986) by Chick Strand, *Chronicles
of a Lying Spirit by Kelly Gabron* (1992) by Cauleen Smith, *Noa, Noa* (2006)
by Lynne Sachs, *Our Voices in Reverse *(2013) by Nadia Shihab, *The Way
Light Keeps its Shadow* (working title/WIP) by Vanessa Woods, and *Edge of
Alchemy* (2017) by Stacey Steers.

We will also have a raffle for prizes including DVDs, books, handmade art
and more! All proceeds from the event will go towards supporting the
forthcoming series *Gravitational Lensing: Feminist Film Dialogues*, that
we will be launching at Shapeshifters beginning in April. Many thanks to
the filmmakers and to Canyon Cinema, Pacific Film Archive and Women Make
Movies for loaning films for this event!

*MONDAY, MARCH 4, 2024* *March 4 - 17*
Venue type: *Live, physical event*
*Anthology Film Archives*
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=63e9447190&e=857b71a9cb>
times vary, see below,
32 Second Avenue, New York, NY
*AFTERIMAGE: COUNTER CINEMA, RADICAL CINEMA*
“This series of screenings celebrates the publication by The Visible Press
of “The Afterimage Reader”, a selection of editorials, essays, interviews,
and filmmakers’ statements from the British film journal Afterimage, which
was published irregularly between 1970 and 1987. Afterimage was founded on
the principle of an on-going commitment to avant-garde cinema, to radical
cinema, to ‘new’ cinema understood both aesthetically and politically.

Afterimage emphasized the importance of the writings of filmmakers
themselves. Over 13 issues, alongside critical essays by important critics
such as Noël Burch, B. Ruby Rich, and Regina Cornwell, it published
manifestoes, scripts, theoretical texts, polemical essays from filmmakers
Jean-Luc Godard, Glauber Rocha, Julio García Espinosa, Hollis Frampton,
Paul Sharits, Peter Wollen and Laura Mulvey, Malcolm Le Grice, Yvonne
Rainer, Raúl Ruiz, Stephen Dwoskin, Jan Švankmajer, and many others, as
well as by important precursors for a radical cinema like Dziga Vertov and
Jean Epstein. Special issues were devoted to Michael Snow and to Derek
Jarman. Each publication was effectively a special issue around a theme or
filmmaker.

Presenting this series at Anthology Film Archives offers the opportunity to
acknowledge how indebted Afterimage was to Film Culture magazine. It was a
model for us of a partisan publication that came to be deeply committed to
the promotion and representation of the New American Cinema and its rich
avant-garde manifestations of the 1960s and 1970s.

Afterimage similarly prided itself on its design. So just as important was
our admiration of the handsome issues of Film Culture designed by Fluxus
founder George Maciunas. As a consequence of this influence every issue of
Afterimage had a distinctive and different design with title pages and
full-bleed images.

If the first six issues circled around the ‘two avant-gardes’ and debates
in cinema theory, later issues continued the commitment to new, radical
cinema but also considered ‘neglected’ works and figures, like *BORDERLINE* in
the past and – at the time of publication – Raúl Ruiz.

Toward the end of Afterimage’s run, new editorial energies steered us in
the direction of ‘troublesome cases’: first a festschrift on Derek Jarman,
then our final issue featuring the Quay Brothers, Švankmajer, Bokanowski,
and other visionary animators.” –Simon Field

“The Afterimage Reader” will be available at Anthology for a discounted
price during the series. For more details on this and other books from The
Visible Press, visit www.thevisiblepress.com
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c0e342ca8f&e=857b71a9cb>

“Afterimage: Counter Cinema, Radical Cinema” is curated by Simon Field and
Mark Webber with Jed Rapfogel. Special thanks to Haden Guest (Harvard Film
Archive).

Simon Field and Mark Webber will be here in person to introduce selected
screenings!

Thanks as well to Bret Berg (AGFA); Hanan Coumal (LUX); Jack Durwood
(Paramount); Matthieu Grimault (Cinémathèque française); ISKRA; Brett
Kashmere & Seth Mitter (Canyon Cinema); James Mackay; Laura Mulvey; Beth
Rennie (George Eastman Museum); Elena Rossi-Snook (NYPL); Emily Russo
(Zeitgeist Films); Valeria Sarmiento; Katie Trainor & James Layton (MoMA);
Pedro Lijeron Vargas (Fundación Grupo Ukamau); George Watson (BFI); Todd
Wiener & Steven Hill (UCLA Film & Television Archive); and Klaus Wyborny.

*Upcoming Screenings*
AFTERIMAGE NO. 1, PGM 1: BRITISH SOUNDS
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cdfba152f1&e=857b71a9cb>
March 4 at 7:00 PM
March 15 at 7:00 PM
March 17 at 5:30 PM

AFTERIMAGE NO. 1, PGM 2: THE BIG FLAME
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=caf769e843&e=857b71a9cb>
March 4 at 9:00 PM
March 15 at 8:30 PM

AFTERIMAGE NO. 2: MARE'S TAIL
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b5252408b6&e=857b71a9cb>
March 5 at 7:00 PM

AFTERIMAGE NO. 3: BLOOD OF THE CONDOR
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=097841312a&e=857b71a9cb>
March 6 at 7:00 PM
March 11 at 6:45 PM

AFTERIMAGE NO. 4: FOR A NEW CINEMA: HOLLIS FRAMPTON / PAUL SHARITS
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ff439c2a4f&e=857b71a9cb>
March 7 at 7:00 PM

AFTERIMAGE NO. 5: SECRET BEYOND THE DOOR
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7cd2e42cd1&e=857b71a9cb>
March 7 at 9:00 PM
March 11 at 8:45 PM

AFTERIMAGE NO. 6: PENTHESILEA
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=24cef39352&e=857b71a9cb>
March 8 at 6:30 PM
March 12 at 7:30 PM
March 16 at 8:30 PM

AFTERIMAGE NO. 7: KRISTINA TALKING PICTURES
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b23ae3b775&e=857b71a9cb>
March 8 at 9:15 PM
March 13 at 6:45 PM

AFTERIMAGE NO. 8/9, PGM 1: THE BIRTH OF A NATION (Klaus Wyborny)
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=514e5e9d13&e=857b71a9cb>
March 9 at 4:00 PM
March 16 at 6:45 PM

AFTERIMAGE NO. 8/9, PGM 2: PERSPECTIVE CORRECTION
<https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8928d0b0bc&e=857b71a9cb>
March 9 at 6:00 PM
March 17 at 7:15 PM

AFTERIMAGE NO. 10: THE HYPOTHESIS OF THE STOLEN PAINTING
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March 9 at 8:30 PM
March 13 at 9:00 PM

AFTERIMAGE NO. 11: SIGHTING SNOW
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March 10 at 4:00 PM

AFTERIMAGE NO. 12: IMAGINING OCTOBER + BORDERLINE
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March 10 at 6:00 PM
March 14 at 9:00 PM

AFTERIMAGE NO. 13: THE ANGEL
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March 10 at 8:30 PM
March 14 at 7:00 PM

*FRIDAY, MARCH 8, 2024* *March 8 - 10*
Venue type: *Live, physical event*
*MONO NO AWARE*
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Dusk until Dawn EST US, 72 Rockwell Place, Brooklyn, New York
*OPEN AIR SCREENING SERIES PRESENTS : MOON CYCLE, 2024 BY JUSTINE LAI*
PROGRAM INCLUDES : *MOON CYCLE* , Justine Lai, 2024 (16MM Color Film,
Sound, 2 Min) “*Moon Cycle* is a 16MM direct animation based on the TV
series *Sailor Moon*, recreating the girl-to-superheroine transformation
sequences (also known as henshin) that are reused every episode to save on
production. Justine Tamiko Lai is an artist and filmmaker based in Queens,
NY. Raised in Sacramento, CA, she received a BA in English and Studio Art
from Stanford University and an MFA in Painting from Cranbrook Academy of
Art. Her work has been exhibited at Asian Art Museum (San Francisco, CA),
Asian Arts Initiative (Philadelphia, PA), and Gawker Media (New York, NY).
She has been an Open AIR Artist-In-Residence at the Missoula Public Library
Makerspace (Missoula, MT).

With this series we ask that each presenting artist identify a non-profit
they wish to bring attention to and support through this screening. Justine
has selected City Harvest. Every year City Harvest will rescue more than 77
million pounds of food and deliver it, free of charge, to hundreds of food
pantries and soup kitchens across the five boroughs to help feed New
Yorkers experiencing food insecurity.

Please consider making a donation to support these efforts.
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The OPEN AIR SCREENING SERIES allows for 16mm film projection viewing with
social and physical distance guidelines in place. 16mm film prints are
projected, on loop, from dusk until dawn. Each artist receives an
honorarium to support their practice and a new print of the work. Each
artist is asked to select a non-profit for a portion of the proceeds to
benefit, a donation will be made in their name. And, YOU the audience are
invited to enjoy the work, take part in the conversation and we ask that
you consider making a donation as it directly supports the artist and the
organization with which they share concern. This screening series is
supported by the New York State Council for the Arts (NYSCA).

*ONGOING*

Venue type: *Virtual, online event*
Riverwest Radio
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streaming 24/7
*THE LONG CONVERSATION*
THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite
hold. But... all episodes from the last year and a half are streaming!!!

*___________________________________________________________________*

Venue type: *Virtual, online event*
6x6 Project
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streaming 24/7
*Artists' Moving Image Works*
6x6 project is an online artists' community that serves as a platform for
disseminating artists' moving image works, and to create
an ever-growing network among peers.

There are now more than four hundred artists’ film and moving image works
available to view on the website.









------------------------------



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