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> On Mar 3, 2024, at 2:21 PM, This Week > <[email protected]> wrote: > > View this email in your browser > <https://mailchi.mp/ef36ddfdce55/this-week-in-avant-garde-cinema-10678870?e=857b71a9cb> > > \ \ \ * --- * / / / > We're raising funds to cover MailChimp fees for the next year and only need > $375! > We're just over halfway there!!! Help us get to the finish line! > If each person on the list donated $1, it would cover two years of MailChimp > fees. > Any additional funds we raise will go toward future months and years! > > Please check out details & donate at https://gofund.me/6dbcb337 > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3b8dad93c3&e=857b71a9cb> > and help spread the word! > > / / / * --- * \ \ \ > > > This Week > [March 2 - 10, 2024] > in Avant Garde Cinema > > > > > To receive the weekly listing directly via email rather than through > Frameworks, just hit Subscribe > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb>. > > DEADLINES APPROACHING > *** Enter upcoming calls for entry here > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=94b4a4cd86&e=857b71a9cb> > *** > ___________________________________________________________________________________ > sorted by submission deadline > > 03.03.2024 Film Farm > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c38979f015&e=857b71a9cb> > 03.10.2024 Mimesis Doc Fest > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a99ce371af&e=857b71a9cb> > (Regular Deadline) > 03.15.2024 RPM Fest - Revolutions Per Minute Festival > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a0cd481d63&e=857b71a9cb> > (Late Deadline) > 03.15.2024 Found Footage Magazine > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=efe800261e&e=857b71a9cb> > 03.22.2024 Crescent City Film Festival > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f92944dfcd&e=857b71a9cb> > (Extended Deadline) > 03.25.2024 Oak Cliff Film Festival > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c0711e488f&e=857b71a9cb> > (Regular Deadline) > 03.30.2024 Braziers International Film Festival > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0652d10d75&e=857b71a9cb> > (Regular Deadline) > 03.30.2024 Cauldron International Film and Video Festival > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=896a07fa8a&e=857b71a9cb> > (Late Deadline) > 03.31.2024 Experimental Film & Video Festival in Seoul (EXiS) > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=86faa4bf88&e=857b71a9cb> > 03.31.2024 Laterale Film Festival > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e4b0ef15fd&e=857b71a9cb> > (Sixth Deadline) > 04.01.2024 Analogica > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f7b33a33ba&e=857b71a9cb> > (Late Deadline) > 04.01.2024 Chicago Underground Film Festival > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c9850d0731&e=857b71a9cb> > (Late Deadline) > 04.01.2024 Sans Souci Festival of Dance Cinema > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=88b8735d16&e=857b71a9cb> > (Regular Deadline) > 04.01.2024 The Franklin Furnace FUND for Performance Art > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=801d033866&e=857b71a9cb> > 04.05.2024 VSW Project Space Residency > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ff42032d8c&e=857b71a9cb> > 04.18.2024 Locarno Film Festival > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=02c7e1e439&e=857b71a9cb> > (Regular Deadline) > 05.17.2024 Edinburgh Short Film Festival > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ea2d755c61&e=857b71a9cb> > (Regular Deadline) > 05.31.2024 San Diego Underground Film Festival > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4a76114651&e=857b71a9cb> > (Early Deadline) > 06.01.2024 Engauge Experimental Film Festival > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=41c09e40a6&e=857b71a9cb> > > EVENTS > *** Enter your event announcements here > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4e71d1d2f2&e=857b71a9cb> > *** > ___________________________________________________________________________________ > complicated sorting but a true attempt, enjoy! > > This week's programs (summary): > > Mono No Aware In Residency @ Whammy! > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c67b63a2ba&e=857b71a9cb> > [February 23 - March 3, Los Angeles, CA] > Ken Jacobs – From Orchard Street To The Museum of Modern Art > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=08139a0147&e=857b71a9cb> > [March 1-3, New York, NY] > 48 > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2340db6e32&e=857b71a9cb> > [March 2, Berkeley, CA] > Gravitational Lensing - Prequel Screening & Fundraiser > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=34273680ee&e=857b71a9cb> > [March 3, Oakland, CA] > Afterimage: Counter Cinema, Radical Cinema > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=693e355777&e=857b71a9cb> > [March 4-17, New York, NY] > Open Air Screening Series Presents : Moon Cycle, 2024 By Justine Lai > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9fd5eabec9&e=857b71a9cb> > [March 8-10, Brooklyn, NY] > The Long Conversation > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b52036575d&e=857b71a9cb> > [ongoing, online] > 6x6 Project: Artists' Moving Image Works > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=a40d67fe8b&e=857b71a9cb> > [ongoing, online] > > STARTING BEFORE MARCH 2, 2024February 23 - March 3 > Venue type: Live, physical event > Whammy! > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=64c02a12f9&e=857b71a9cb> > times vary, see below, > Whammy! 2514 Sunset Blvd. Los Angeles, CA (Entrance in rear off Rampart!) > MONO NO AWARE IN RESIDENCY @ WHAMMY! > This is a collaboration between Mono No Aware and Whammy! and T.A.P.E. and > the 818 Darkroom. > > FRI * February 23rd Presentation on MONO NO AWARE & Screening program > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2ecd669c80&e=857b71a9cb> > 7 PM Meet & Greet, 8 PM : Conversation with Founder / Director of MONO Steve > Cossman and 16mm projections of commissioned works. > > SAT * SUN * February 24-25th Two-Day intensive Intro to 16MM color > filmmaking on Bolex Camera > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5ba526f7e0&e=857b71a9cb> > 12 - 6 PM An introduction to the Bolex Camera and a traditional Film to Film > workflow ending with a projectable color print & scan! > > SAT * February 24th Projection Basics for 16MM Tabletop models > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2b0a51e1e7&e=857b71a9cb> > 7 - 10 PM Learn to set up, load, operate and maintain an EIKI tabletop > projector for standard and expanded cinema projections. > > SUN * February 25th Macro Cinematography on 16MM film > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=356b187508&e=857b71a9cb> > 7 - 10 PM Learn to calculate proper exposure compensation and to measure > focal distances in order to film in extreme close-up on film! > > MON * February 26th Motion Picture Film as Still Film for Photography > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3380690798&e=857b71a9cb> > 7 - 10 PM Learn how to spool down motion picture film short ends and identify > film stock properties, then upcycle them into still film canisters! > > TUES * February 27th Color Photograms on 16mm color print stock > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=47a91aca15&e=857b71a9cb> > 7 - 10 PM Learn to paint with light on motion picture film, develop the film > by hand and project. Includes 100 of 16mm film to take home! > > WED * February 28th Test It Yourself ! T.I.Y. Super 8mm camera workshop and > hand processing B&W film > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c61bb2f67c&e=857b71a9cb> > 7 - 10 PM - Bring a new or used camera to test. We'll cover all functions of > the camera, how to clean and fix minor issues, then film a test roll, develop > & project! > > THURS * February 29th Desktop Cinema : Print digital images directly onto > 16MM film from your home printer > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ff5619df44&e=857b71a9cb> > 7 - 10 PM - Download, learn and use software that allows for multiple > techniques printing large image patterns and videos directly onto film. > > FRI * March 1st BYOB/W - Non-toxic developing workshop & Community mixer > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b4a670f052&e=857b71a9cb> > 7 - 10 PM - Learn to mix a non-toxic developer using beer and coffee then > develop ANY format still or moving image black and white film ! > > SAT * March 2nd The complete 16MM film to film workflow for B/W film; > titles, camera, developing, contact printing & projection > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fbbeb81f88&e=857b71a9cb> > 11 AM - 8 PM - This is a one day intensive designed to carefully illustrate > how one can create, duplicate, archive and exhibit on 16mm film at home. > > SUN * March 3rd Moving Image Phytograms on 16MM film > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=56747df6f2&e=857b71a9cb> > 11 AM - 3 PM - Forage for plant life then learn the technique of rendering > detailed chemical traces of plants directly on photographic emulsion. > > SUN * March 3rd FREE COMMUNITY SCREENING PARTY @ WHAMMY! > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5439744850&e=857b71a9cb> > 7 PM Screening Premiere of ALL the films made through the residency this > week. Bring friends and family out to celebrate these new 16mm films. > > ___________________________________________________________________ > > March 1 - 3 > Venue type: Live, physical event > Anthology Film Archives > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3907214790&e=857b71a9cb> > 7:30pm ET each night, > 32 Second Avenue, New York, NY > KEN JACOBS – FROM ORCHARD STREET TO THE MUSEUM OF MODERN ART > Fred Riedel, 2023, 98 min, DCP > Film Trailer here > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=975b1871b3&e=857b71a9cb> > > Ken Jacobs is one of the titans of American experimental cinema, whose > ever-expanding body of work encompasses everything from anarchic underground > short films made in collaboration with Jack Smith and others beginning in the > late 1950s, the structuralist landmark TOM, TOM, THE PIPER’S SON (1969), and > the epic, politically impassioned assemblage STAR SPANGLED TO DEATH > (1956-2004), to his Nervous System and Nervous Magic Lantern live cinema > performances and his numerous experiments with different forms of 3D image > making. The enormity of Jacobs’s artistic accomplishment, the freedom with > which he’s explored new technologies, new forms, and new ideas, and the > degree of influence he’s exerted on other artists are such that it’s hard to > believe he’s never been the subject of a feature-length documentary film > portrait until now. Happily, Fred Riedel has righted that wrong with the > completion of KEN JACOBS – FROM ORCHARD STREET TO THE MUSEUM OF MODERN ART, > which comprises a sort of illustrated guided tour through Jacobs’s life and > work. Combining an extended and sometimes disarmingly personal interview with > Ken and his partner in life and art, Flo Jacobs, with copious excerpts from > his astonishingly multi-faceted body of moving-image work, Riedel’s film > demonstrates not only Jacobs’s creative accomplishments but also his restless > intelligence, his inimitable personality, and his unheralded verbal genius. > > “This is the third film in a series I’ve made exploring the creative process > in a purposefully low-key manner that permits me an unusual degree of > one-on-one intimacy with my subject over a long period of time. I have known > Ken Jacobs since I was a student of his in the 1970s. I later distributed > several of his films and curated screenings and collections in NY (at P.S.1, > the Bleecker Street Cinema, NYPL, etc.) which included his work. It was > primarily his films, especially TOM, TOM, THE PIPER’S SON (1969), that > changed my view of cinema and led me back to his art again and again. At an > outdoor screening Ken presented at MoMA during the pandemic I was struck by > the sudden realization that I needed to make this film.” –Fred Riedel > > Plus: Ken Jacobs DR. JEKYLL AND MR. HYDE 2023, 8.5 min, digital > > Total running time: ca. 110 min. > > Director Fred Riedel will be here in person for all three screenings, and > will be joined by Ken Jacobs on Sat, Mar 2 > > SATURDAY, MARCH 2, 2024 Venue type: Live, physical event > Pacific Film Archive > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6c7e35166b&e=857b71a9cb> > 4PM PST, 2155 Center St, Berkeley, CA 94720 > 48 > Susana de Sousa Dias, B&W, DCP, 93min, 2009, Portuguese with English subtitles > > Susana de Sousa Dias’s remarkable, hypnotic film is composed of photographs > from the archive of the Portuguese army, taken upon the arrest of political > prisoners during the forty-eight years of dictatorial regime in Portugal and > its colonies (1926–74). As prisoners stare out at us, we hear their > reflections on their time in prison, recorded by de Sousa Dias decades after > the Carnation Revolution, and are invited to contemplate what a photograph > reveals and what it conceals. A sequence featuring testimony of Mozambican > anticolonial resistance fighters, accompanied by slowed army footage shot in > Guinea-Bissau, acknowledges what is missing from the archives. Sousa Dias > reflected, “I came to realize that there is a reason for the colonial wars > having been a kind of taboo in Portugal for the first three decades after the > Revolution: The people who had been in Africa fighting in the colonies were > the very same people who carried out the revolution.” > > SUNDAY, MARCH 3, 2024 Venue type: Live, physical event > Shapeshifters Cinema > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3b39223515&e=857b71a9cb> > 6pm PST, > 567 5th St, Oakland, CA > GRAVITATIONAL LENSING - PREQUEL SCREENING & FUNDRAISER > March is Women's History month! And we are kicking off this month's > programming with a stellar screening of films made over the past 50 years > that speak to a spectrum of women's issues including mother-child > relationships, mental health and self-determination. > > This very special screening will include the films Schmeerguntz (1965) by > Gunvor Nelson & Dorothy Wiley, Anything You Want to Be (1971) by Liane > Brandon, Women and Children at Large (1973) by Freude, Killing Time (1979) by > Fronza Woods, Artificial Paradise (1986) by Chick Strand, Chronicles of a > Lying Spirit by Kelly Gabron (1992) by Cauleen Smith, Noa, Noa (2006) by > Lynne Sachs, Our Voices in Reverse (2013) by Nadia Shihab, The Way Light > Keeps its Shadow (working title/WIP) by Vanessa Woods, and Edge of Alchemy > (2017) by Stacey Steers. > > We will also have a raffle for prizes including DVDs, books, handmade art and > more! All proceeds from the event will go towards supporting the forthcoming > series Gravitational Lensing: Feminist Film Dialogues, that we will be > launching at Shapeshifters beginning in April. Many thanks to the filmmakers > and to Canyon Cinema, Pacific Film Archive and Women Make Movies for loaning > films for this event! > > MONDAY, MARCH 4, 2024March 4 - 17 > Venue type: Live, physical event > Anthology Film Archives > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=63e9447190&e=857b71a9cb> > times vary, see below, > 32 Second Avenue, New York, NY > AFTERIMAGE: COUNTER CINEMA, RADICAL CINEMA > “This series of screenings celebrates the publication by The Visible Press of > “The Afterimage Reader”, a selection of editorials, essays, interviews, and > filmmakers’ statements from the British film journal Afterimage, which was > published irregularly between 1970 and 1987. Afterimage was founded on the > principle of an on-going commitment to avant-garde cinema, to radical cinema, > to ‘new’ cinema understood both aesthetically and politically. > > Afterimage emphasized the importance of the writings of filmmakers > themselves. Over 13 issues, alongside critical essays by important critics > such as Noël Burch, B. Ruby Rich, and Regina Cornwell, it published > manifestoes, scripts, theoretical texts, polemical essays from filmmakers > Jean-Luc Godard, Glauber Rocha, Julio García Espinosa, Hollis Frampton, Paul > Sharits, Peter Wollen and Laura Mulvey, Malcolm Le Grice, Yvonne Rainer, Raúl > Ruiz, Stephen Dwoskin, Jan Švankmajer, and many others, as well as by > important precursors for a radical cinema like Dziga Vertov and Jean Epstein. > Special issues were devoted to Michael Snow and to Derek Jarman. Each > publication was effectively a special issue around a theme or filmmaker. > > Presenting this series at Anthology Film Archives offers the opportunity to > acknowledge how indebted Afterimage was to Film Culture magazine. It was a > model for us of a partisan publication that came to be deeply committed to > the promotion and representation of the New American Cinema and its rich > avant-garde manifestations of the 1960s and 1970s. > > Afterimage similarly prided itself on its design. So just as important was > our admiration of the handsome issues of Film Culture designed by Fluxus > founder George Maciunas. As a consequence of this influence every issue of > Afterimage had a distinctive and different design with title pages and > full-bleed images. > > If the first six issues circled around the ‘two avant-gardes’ and debates in > cinema theory, later issues continued the commitment to new, radical cinema > but also considered ‘neglected’ works and figures, like BORDERLINE in the > past and – at the time of publication – Raúl Ruiz. > > Toward the end of Afterimage’s run, new editorial energies steered us in the > direction of ‘troublesome cases’: first a festschrift on Derek Jarman, then > our final issue featuring the Quay Brothers, Švankmajer, Bokanowski, and > other visionary animators.” –Simon Field > > “The Afterimage Reader” will be available at Anthology for a discounted price > during the series. For more details on this and other books from The Visible > Press, visit www.thevisiblepress.com > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c0e342ca8f&e=857b71a9cb> > > “Afterimage: Counter Cinema, Radical Cinema” is curated by Simon Field and > Mark Webber with Jed Rapfogel. Special thanks to Haden Guest (Harvard Film > Archive). > > Simon Field and Mark Webber will be here in person to introduce selected > screenings! > > Thanks as well to Bret Berg (AGFA); Hanan Coumal (LUX); Jack Durwood > (Paramount); Matthieu Grimault (Cinémathèque française); ISKRA; Brett > Kashmere & Seth Mitter (Canyon Cinema); James Mackay; Laura Mulvey; Beth > Rennie (George Eastman Museum); Elena Rossi-Snook (NYPL); Emily Russo > (Zeitgeist Films); Valeria Sarmiento; Katie Trainor & James Layton (MoMA); > Pedro Lijeron Vargas (Fundación Grupo Ukamau); George Watson (BFI); Todd > Wiener & Steven Hill (UCLA Film & Television Archive); and Klaus Wyborny. > > Upcoming Screenings > AFTERIMAGE NO. 1, PGM 1: BRITISH SOUNDS > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cdfba152f1&e=857b71a9cb> > March 4 at 7:00 PM > March 15 at 7:00 PM > March 17 at 5:30 PM > > AFTERIMAGE NO. 1, PGM 2: THE BIG FLAME > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=caf769e843&e=857b71a9cb> > March 4 at 9:00 PM > March 15 at 8:30 PM > > AFTERIMAGE NO. 2: MARE'S TAIL > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b5252408b6&e=857b71a9cb> > March 5 at 7:00 PM > > AFTERIMAGE NO. 3: BLOOD OF THE CONDOR > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=097841312a&e=857b71a9cb> > March 6 at 7:00 PM > March 11 at 6:45 PM > > AFTERIMAGE NO. 4: FOR A NEW CINEMA: HOLLIS FRAMPTON / PAUL SHARITS > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ff439c2a4f&e=857b71a9cb> > March 7 at 7:00 PM > > AFTERIMAGE NO. 5: SECRET BEYOND THE DOOR > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7cd2e42cd1&e=857b71a9cb> > March 7 at 9:00 PM > March 11 at 8:45 PM > > AFTERIMAGE NO. 6: PENTHESILEA > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=24cef39352&e=857b71a9cb> > March 8 at 6:30 PM > March 12 at 7:30 PM > March 16 at 8:30 PM > > AFTERIMAGE NO. 7: KRISTINA TALKING PICTURES > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b23ae3b775&e=857b71a9cb> > March 8 at 9:15 PM > March 13 at 6:45 PM > > AFTERIMAGE NO. 8/9, PGM 1: THE BIRTH OF A NATION (Klaus Wyborny) > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=514e5e9d13&e=857b71a9cb> > March 9 at 4:00 PM > March 16 at 6:45 PM > > AFTERIMAGE NO. 8/9, PGM 2: PERSPECTIVE CORRECTION > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8928d0b0bc&e=857b71a9cb> > March 9 at 6:00 PM > March 17 at 7:15 PM > > AFTERIMAGE NO. 10: THE HYPOTHESIS OF THE STOLEN PAINTING > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=88f471a74c&e=857b71a9cb> > March 9 at 8:30 PM > March 13 at 9:00 PM > > AFTERIMAGE NO. 11: SIGHTING SNOW > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=defaa59306&e=857b71a9cb> > March 10 at 4:00 PM > > AFTERIMAGE NO. 12: IMAGINING OCTOBER + BORDERLINE > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5d1b876c3f&e=857b71a9cb> > March 10 at 6:00 PM > March 14 at 9:00 PM > > AFTERIMAGE NO. 13: THE ANGEL > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fc3b7906a3&e=857b71a9cb> > March 10 at 8:30 PM > March 14 at 7:00 PM > > FRIDAY, MARCH 8, 2024March 8 - 10 > Venue type: Live, physical event > MONO NO AWARE > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fdc1835ca7&e=857b71a9cb> > Dusk until Dawn EST US, 72 Rockwell Place, Brooklyn, New York > OPEN AIR SCREENING SERIES PRESENTS : MOON CYCLE, 2024 BY JUSTINE LAI > PROGRAM INCLUDES : MOON CYCLE , Justine Lai, 2024 (16MM Color Film, Sound, 2 > Min) “Moon Cycle is a 16MM direct animation based on the TV series Sailor > Moon, recreating the girl-to-superheroine transformation sequences (also > known as henshin) that are reused every episode to save on production. > Justine Tamiko Lai is an artist and filmmaker based in Queens, NY. Raised in > Sacramento, CA, she received a BA in English and Studio Art from Stanford > University and an MFA in Painting from Cranbrook Academy of Art. Her work has > been exhibited at Asian Art Museum (San Francisco, CA), Asian Arts Initiative > (Philadelphia, PA), and Gawker Media (New York, NY). She has been an Open AIR > Artist-In-Residence at the Missoula Public Library Makerspace (Missoula, MT). > > With this series we ask that each presenting artist identify a non-profit > they wish to bring attention to and support through this screening. Justine > has selected City Harvest. Every year City Harvest will rescue more than 77 > million pounds of food and deliver it, free of charge, to hundreds of food > pantries and soup kitchens across the five boroughs to help feed New Yorkers > experiencing food insecurity. > > Please consider making a donation to support these efforts. > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=31effb3dde&e=857b71a9cb> > > The OPEN AIR SCREENING SERIES allows for 16mm film projection viewing with > social and physical distance guidelines in place. 16mm film prints are > projected, on loop, from dusk until dawn. Each artist receives an honorarium > to support their practice and a new print of the work. Each artist is asked > to select a non-profit for a portion of the proceeds to benefit, a donation > will be made in their name. And, YOU the audience are invited to enjoy the > work, take part in the conversation and we ask that you consider making a > donation as it directly supports the artist and the organization with which > they share concern. This screening series is supported by the New York State > Council for the Arts (NYSCA). > > ONGOING > Venue type: Virtual, online event > Riverwest Radio > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=e927cddea7&e=857b71a9cb> > streaming 24/7 > THE LONG CONVERSATION > THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite > hold. But... all episodes from the last year and a half are streaming!!! > > ___________________________________________________________________ > > Venue type: Virtual, online event > 6x6 Project > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=72ddb3922c&e=857b71a9cb> > streaming 24/7 > Artists' Moving Image Works > 6x6 project is an online artists' community that serves as a platform for > disseminating artists' moving image works, and to create > an ever-growing network among peers. > > There are now more than four hundred artists’ film and moving image works > available to view on the website. > > > > > > > > > > > > Let us know about your alternative film/video event! > > Enter your event announcements by going to the Flicker Weekly Listing Form > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d0023c442f&e=857b71a9cb>. > > > To receive the weekly listing directly via email rather than through > Frameworks, just hit Subscribe > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb>. > > > > > \ \ \ * --- * / / / > > Help us raise funds to cover MailChimp fees for the next year! We're looking > to raise $375. > Any additional funds we raise will go toward future months and years! > > Please donate at https://gofund.me/6dbcb337 > <https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=d10600a72a&e=857b71a9cb> > and help spread the word! > > / / / * --- * \ \ \ > > > > Copyright © 2020 Flicker, All rights reserved. > Longtime recipient of This Week in Avant Garde Cinema > > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
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