Hello all,I'm looking for a quiet space where I can edit - ideally install a
large desk and use the wall space behind it (to tape/pin up notes &c)
All and any leads would be very gratefully received!thanks Moira
moiratierney.net vimeo.com/moiratierney
On Wednesday, April 23, 2025 at 08:19:04 PM EDT, Jimmy Schaus
<[email protected]> wrote:
Oh, and The Laughing Alligator (Juan Downey) and any number of films by
Ojoboca.
On Wed, Apr 23, 2025 at 6:53 PM Jimmy Schaus <[email protected]> wrote:
Between Relating and Use (Nazlı Dinçel)
On Wed, Apr 23, 2025 at 5:28 PM Ж <[email protected]> wrote:
Hey,
how are you?
I would suggest two works, Luchando by yann beauvais.
and the installation Urban Stories/ Nanling-Guangzhou, by Sylvie Blocher.
Good luck!
Best,Ж______________________________
[ele-dele/he-him]film( )s & + kkinema.com.br
publicações /editions & + textodecinema.com
Em qua., 23 de abr. de 2025 às 17:32, Felipe Guerrero
<[email protected]> escreveu:
Our latest film, Morichales, could expand this
discussion:https://filmotor.com/morichales/
El mié, 23 abr 2025 a las 11:07, scott (<[email protected]>) escribió:
Sans Soleil is pretty accesible
On Wed, Apr 23, 2025 at 9:18 AM peter snowdon <[email protected]> wrote:
Renzo Maartens' films could make a good jumping off point for this kind of
conversation.
https://renzomartens.com/work/
Good luck! The difficult collaborations can often be the most fruitful:-)
Peter
On Wed, Apr 23, 2025, at 12:34 AM, Kitty wrote:
> =EF=BB=BF
> Hi Frameworks,
>
> I am working with an anthropologist on a (possibly defined as) ethnographic f=
> ilm and he needs some experimental film context to help us get on the same p=
> age. In fact he has little to no film history besides from the rather mainst=
> ream cinema =E2=80=A6 so its time for a little experimental film history...!=
> =20
>
> Of course I have a list things forming already but I thought I would pose th=
> is question here to really open up pandora's box to get a wide scope beyond e=
> ven what I might be thinking about....
>
> So really any filmmakers or specific films, installations, performances, exp=
> anded cinema pieces, video art, etc, that could even be slightly related to t=
> he subjects of; self reflective poetic ethnographic films, documentaries tha=
> t question the idea of being documentaries, films where fiction and fact sli=
> p and slide and also if they happen to touch on the subjects (but not exclus=
> ively this) the global south, migratory workers, immigration, colonialism, i=
> ndigenous culture, racism, and farming.=20
> I know this is all very broad, but I wanted to let it be like that and see w=
> hat varied answers I would get. =20
>
> Thank you,
> Katherine Bauer
>
>
> --
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