On Wed, Oct 12, 2011 at 8:55 AM, Lars Fuchs <[email protected]> wrote:
> This isn't good news. > > http://magazine.creativecow.net/article/film-fading-to-black > > As Tom mentioned, the impact will not be as great at the margins (Frameworks), but yes we are all part of the same film ecosystem... so parts and information (particularly for Aaton, Arri) will be harder and harder to come by... though I get the sense that limited support is still part of current business model. In the last year or two, Jakko (JK), George Zorzoli (Optical-Electro House) and Man-sung (SMS) have all retired, yet there are others around to pick up the work. Actually, Man-sung still does service work, but now out of his home. If it's any consolation, Eclair NPR and many Bolex cameras, now out of production for decades, are being supported by a small group of camera technicians internationally and several small parts supplies. And much to my surprise CP cameras are still being supported. Having owned a number of 16mm cameras (Aaton, Bell & Howell, Bolex, CP, Eclair and a few others), it's the "lesser" cameras that support our work, as most all Aaton cameras and the newer Arriflex (SR series, 416) have always been expensive to own, maintain, repair and rent. There might still be a good 10 year run... maybe longer.... enjoy it while it lasts. Alain -- 40 FRAMES Alain LeTourneau Pam Minty 40 FRAMES 5232 N Williams Ave Portland, Oregon 97217 USA +1 503 231 6548 www.40frames.org www.16mmdirectory.org www.emptyquarterfilm.org
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