Also how do I make travelling mattes with a bluescreen image? Do I contact print onto hi con film using somekind of filter?
-----Original Message----- >From: [email protected] >Sent: Aug 22, 2012 10:16 AM >To: Experimental Film Discussion List <[email protected]> >Subject: Re: [Frameworks] Optical Printing, Contact Printing and Rotoscoping >Wizards NEEDED for space pirates claymation > >I appreciate that. Sorry been shotgunning a lot of beers. > > >-----Original Message----- >>From: graeme hogg <[email protected]> >>Sent: Aug 22, 2012 9:00 AM >>To: Experimental Film Discussion List <[email protected]> >>Subject: Re: [Frameworks] Optical Printing, Contact Printing and Rotoscoping >>Wizards NEEDED for space pirates claymation >> >> >> >>Yeah, the computers that control Optical Printers, they're pretty gay >>aren't they. >> >> >> >>> Ben >>> >>> Sounds like a very interesting project and I commend you for working on >>> 16mm but curious what's "gay" about using a computer? Sounds like >>> something quite negative since its something you refuse to do? >>> >>> I've just never heard someone refer to using computers as "gay". >>> >>> I personally love 16mm and have made several films in that format. I can >>> also see why computers can be so detesting to celluloid lovers but have >>> a hard time understanding why that term was used. >>> >>> It would sound pretty bad if someone said "I refuse to do this on a >>> computer because that's so girly or sissy or that's so black". That >>> would sound pretty sexist or racist, no? >>> >>> I just wanted to leave you with some food for thought. >>> >>> Sonali >>> >>> On Aug 22, 2012, at 2:04 AM, [email protected] wrote: >>> >>>> Hey just wanted to get some advice for doing some very complicated >>>> special FX on 16mm film. I am going to be making a space pirates >>>> claymation film in the near future and I want to do some very >>>> complicated optical printing and rotoscoping FX shots. I know that CRI >>>> film stock no longer exists but i am going to be filming model >>>> spaceships in front of a black or bluescreen and I want to know what is >>>> the best way to go about this without getting any generation loss on my >>>> film. I will have to combine many layers of film on an optical printer >>>> and then I will also have to rotoscope in lazer beams and stuff like >>>> that so how would I go about that without making my FX shots look super >>>> grainy? I refuse to do this on a computer because thats gay so any >>>> advice would be much appreciated. I think i will be doin this all in >>>> the bay area so anyone who wants to help out should do so because its >>>> going to take a lot of work and I think it could be really sick if we >>>> do it right. If none of this is possible then I am going to quit >>>> filmmaking and cut my lines so tell me what I got to do so I can make >>>> this movie great. >>_______________________________________________ >>FrameWorks mailing list >>[email protected] >>https://mailman-mail5.webfaction.com/listinfo/frameworks > >_______________________________________________ >FrameWorks mailing list >[email protected] >https://mailman-mail5.webfaction.com/listinfo/frameworks _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
