dear Mike, Andy Warhol's CAMP (1965) and Peter Watkin's PUNISHMENT PARK (1971) both use a crash zoom effect in vastly different settings. It's wild to think of these two films together.
Stephen Dwoskin's BEHINDERT (1974) has a subjective, exploring zoom lens, which shares some similarites with Chick Strand's FAKE FRUIT FACTORY (1986) and SENORA CON FLORES (1995/2011). Yours, kelsey
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