sometimes its interesting to consider the difference between a zoom-in and a dolly-in or crane-in, like Hitchcock’s Notorious and Foreign Correspondent, which essentially accomplish the same transition from wide angle to ECU without cutting. Foreign Correspondent is a dolly-in-the-sky. Regarding zooms, I recall some kind of gathering in a late Visconti where the camera zooms in on faces in the crowd one after another repeatedly. And another early Viola, Chott el-Djerid, has epic zooms in the Sahara.
From: Kelsey Brain Sent: Saturday, January 05, 2013 1:07 PM To: [email protected] Subject: Re: [Frameworks] Films that utilize the zoom lens? dear Mike, Andy Warhol's CAMP (1965) and Peter Watkin's PUNISHMENT PARK (1971) both use a crash zoom effect in vastly different settings. It's wild to think of these two films together. Stephen Dwoskin's BEHINDERT (1974) has a subjective, exploring zoom lens, which shares some similarites with Chick Strand's FAKE FRUIT FACTORY (1986) and SENORA CON FLORES (1995/2011). Yours, kelsey -------------------------------------------------------------------------------- _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks -------------------------------------------------------------------------------- No virus found in this message. Checked by AVG - www.avg.com Version: 2012.0.2221 / Virus Database: 2637/5511 - Release Date: 01/05/13
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