I believe the Visconti film you are talking about is The Damned. On Sat, Jan 5, 2013 at 1:34 PM, Gene Youngblood <[email protected]> wrote:
> sometimes its interesting to consider the difference between a zoom-in > and a dolly-in or crane-in, like Hitchcock’s Notorious and Foreign > Correspondent, which essentially accomplish the same transition from wide > angle to ECU without cutting. Foreign Correspondent is a dolly-in-the-sky. > Regarding zooms, I recall some kind of gathering in a late Visconti where > the camera zooms in on faces in the crowd one after another repeatedly. And > another early Viola, Chott el-Djerid, has epic zooms in the Sahara. > > *From:* Kelsey Brain <[email protected]> > *Sent:* Saturday, January 05, 2013 1:07 PM > *To:* [email protected] > *Subject:* Re: [Frameworks] Films that utilize the zoom lens? > > dear Mike, > > Andy Warhol's CAMP (1965) and Peter Watkin's PUNISHMENT PARK (1971) both > use a crash zoom effect in vastly different settings. It's wild to think of > these two films together. > > Stephen Dwoskin's BEHINDERT (1974) has a subjective, exploring zoom lens, > which shares some similarites with Chick Strand's FAKE FRUIT FACTORY (1986) > and SENORA CON FLORES (1995/2011). > > Yours, > kelsey > > ------------------------------ > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > ------------------------------ > > No virus found in this message. > Checked by AVG - www.avg.com > Version: 2012.0.2221 / Virus Database: 2637/5511 - Release Date: 01/05/13 > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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