Actually a number of Ernie Gehr's films do this, including the afore-mentioned *Untitled: Part 1 (1981)*, *This Side of Paradise*, *City*(digital video) and his recently "released" digital video translations of street scenes filmed in the 1970s (or '60s?). Or even his *Eureka* if you want to go there.
Also recommended: —Scott Stark's *Acceleration *and *posers* (which observes people posing or photographs) and others*—*Starks' *Angel Beach* anyone? —the late Stom Sogo's *PS: When You Think You Are Going to Die* observes muggings and drug dealing from a San Francisco apartment. Paranoid. —John Smith's *The Girl Chewing Gum* and it's follow up *The Man Phoning Mum *. —Gibbs Chapman & Catherine Lam narrativize surveillance footage in *I know something is going on back there* —*Open *by Katherin McInnis etc etc Steve Polta On Sat, Jan 26, 2013 at 4:17 PM, David Tetzlaff <[email protected]> wrote: > So I'm assuming you're limiting your definition of 'street photography > films' to those that feature images of people? Interesting then that you > cite Dorsky in light of his (I thought bizarre) remarks after his screening > at Views that the human figure was inherently un-poetic... > > Anyway, there's the Frampton walk-through-NYC film (forget the name), and > if memory serves me correctly "Nightspring Daystar" may also fit the > bill... Also parts of "The End". > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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