One of my grad students, Marina Hassapopoulou, has just finished a dissertation 
about Interactive Cinema, where she talks extensively about such lost works and 
also about the problems of "remediation" (representation of these works in 
forms and on platforms other than the original).  She traces the history of IC 
starting in the 50s and 60s and reconstructs what she can from the documents 
available about these works and their presentation.  It's all very interesting 

Another former student who might prefer to remain nameless was talking about 
the situation of digital works that had been acquired by MoMA.  Apparently they 
only collected the media (like DVD-ROMs) and didn't have the foresight to think 
about the hardware and software necessary to play them back.  Not sure what 
kind of progress they're making on creating emulators or digging up the 
original technology since she told me about this several years ago, but it is 
an interesting (and obvious) dilemma.

Isn't this why we on this list are making works on super 8mm and 16mm?  No 
worries about my 40-year-old projectors suddenly being incompatible with my 


On May 15, 2013, at 8:29 AM, Andy Ditzler wrote:

See Callie Angell's article on Warhol's "Inner and Outer Space" in "From Stills 
to Motion and Back Again," published by Presentation House Gallery, Vancouver. 
The Warhol videos were done in 1965 on a Norelco "slant-scan" machine, which no 
longer exists and apparently cannot be found. (There weren't many made.)

As Callie points out in a footnote, "Inner and Outer Space" (a 16mm film in 
which some of these videos are seen playing on a monitor) is now the best 
preservation of any of those videos. She also mentions something I hadn't 
noticed before - that excerpts from these videos were played as part of a show 
at the Whitney in 1991. I'm not sure how that was done - perhaps there was 
still a machine available at the time?

Warhol made several of these videos during the time he had the recorder, but 
I'm not aware of any documentation of what was actually on most of them. 
Besides the Edie Sedgwick tapes, the only other one of which I'm aware is a 
haircut video done with Billy Name. Various articles by Callie Angell in other 
publications mention the tapes as well.

Andy Ditzler

On Wed, May 15, 2013 at 4:24 AM, Lundgren 
<<>> wrote:
I know that once on this list somebody mentioned that there was a Andy Warhol 
work that was done on a video system which had no surviving video players. I've 
tried to search the list unable to find any information. Does anyone know of 
this and have a decent (preferable academically scrutinize-able) source for it?

Or those anyone have examples of other famous artist with video works (or 
similair) "lost" due to the fact that we don't have any machines to watch it 

Björn Lundgren

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