Thanks Dickie, the footage is very beautiful indeed. I can also confirm that Fuji Velvia is amazing in 35mm slides.
On 22 May 2013 22:38, Dicky <[email protected]> wrote: > The Fuji Velvia looks quite nice as Super 8. If you want to see what it > looks like, watch some of Paul Clipson's films. I am pretty sure he said > that Another Void was mostly shot on Velvia... I've personally shot very > little of it on Super 8 but shoot a good deal of Velvia for 35mm slides... > > On Wed, May 22, 2013 at 1:35 PM, Buck Bito - Movette <[email protected]> > wrote: >> >> Hi Marco, >> I've never been happy with Super-8 neg. and the loss of Ekta 100D spells >> the end of color Super-8 for me. Even on the most serious Super-8 scanner >> I know of in the U.S. at Cinelicious I see what you are complaining about >> when it comes to the skies and other areas that should be 'fluid'. I love >> reversal grain in 8 and Super-8, but the grain from Vision when blown up >> from Super-8 looks mostly like dust or sensor/video noise to me. >> Here is a piece on Vimeo that was scanned at Cinelicious using Vision3 >> 200T and 500T and the skies in particular look terrible to me... >> http://vimeo.com/55509028 >> >> Perhaps Vision3 50D 5203 would be worth a try... To my knowledge I haven't >> had any clients bring us this stock on Super-8 yet and it is supposed to >> be the finest grain for Vision3. >> >> http://motion.kodak.com/motion/Products/Production/Color_Negative_Films/5203.htm >> >> R.I.P. Ekta 100D... >> Here's a search return from Vimeo for Super-8 100D that looks a lot better >> in the skies although I've seen even much nicer 100D footage: >> http://vimeo.com/4530359 >> >> -Sorry I don't have better solutions for you, but I'll wish you good luck >> with your project! >> --Sincerely, >> ---Buck Bito >> >> Lawrence "Buck" Bito >> Movette Film Transfer >> *NEW LOCATION* >> 1407 Valencia St. >> San Francisco, CA 94110 >> (Valencia at 25th St.) >> 415-558-8815 >> Open Tuesday - Saturday >> Tue+Thu: 8-6, Wed+Fri: 9-6, Sat: 10-4 >> www.movettefilm.com >> >> On Wed, May 22, 2013 10:38 am, Marco Poloni wrote: >> > Dear Frameworkers, >> > >> > I have a question about film stock for Super-8mm. >> > >> > I am back from a scouting trip for a 16mm film project. I did all the >> > location filming in Super-8mm because I wanted to use the material in >> > the film as well. I worked with my Leicina Special with a Schneider >> > Optivaron 6-66mm zoom, which had just been revised, and with Kodak >> > Vision 3 200T and 500T, a stock that I well know and love when used in >> > 16mm. The material was scanned in AppleProRes422 on an Ursa Diamond in >> > a laboratory in Turin, Italy: Nova Rolfilm. People who were >> > recommended to me and do very good work. >> > >> > The result is very disappointing. The footage is super grainy, looking >> > kind of OK when I'm filming objects but terrible on skies: exploded, >> > saturated, not fluid. I know the problem is neither the camera nor the >> > lens. I have shot excellent b&w footage with this camera. >> > >> > <...SNIP...> >> > >> > Best, >> > Marco >> > >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > -- Sent from my computer marco poloni usedomer strasse 8 d – 13355 berlin gsm de +49.163.6294080 gsm ch +41.78.6322028 skype marcopoloni _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
