Hi Marco, I just did a quick search and found a very promising test roll of S8 Vision3 50D on Vimeo. It seems to show that the fluidity you're looking for is possible with this stock: http://vimeo.com/62358313
-I'd love to see the comparison with Velvia you propose. --Good luck! ---Buck Lawrence "Buck" Bito Movette Film Transfer *NEW LOCATION* 1407 Valencia St. San Francisco, CA 94110 (Valencia at 25th St.) 415-558-8815 Open Tuesday - Saturday Tue+Thu: 8-6, Wed+Fri: 9-6, Sat: 10-4 www.movettefilm.com On Wed, May 22, 2013 4:54 pm, Marco Poloni wrote: > Hi Buck, > > Thanks so much about your reply. Sharp and really informative. I will > wait for more replies but already want to react to your email. > > I had a look at the footage you linked. Yes, the sky looks terrible > when shot with 200T and 500T, even when scanned at Cinelicious. > Consistent with what I got. I heard many good things about Cinelicious > and was thinking of re-scanning there but after reading you it's clear > I will only get marginally better results. > > I am now keen on making a side-by-side comparison between Fuji Velvia > 50D, which is a reversal film available in Europe (but also in the US > I believe, through Spectra Films), and Kodak Vision3 50D. If I do so, > I will upload the results. > > Yeah, R.I.P. Ekta 100D indeed. > > Thank you again, > Marco > > _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
