Quoting Albert Alcoz <albertalc...@yahoo.es>:



Hi,

Institutional Qualityby George Landow was created from a found soundtrack, in this case a tape recorder about an instructional test.

Does anyone know other examples that uses found soundtracks for experimental films, especially from the sixties and seventies?

There is this one by Ken Jacobs:

GLOBE (1971, 22 mins, 16mm, color, sound on cassette)
(Previously titled: EXCERPT FROM THE RUSSIAN REVOLUTION)
“Flat image (of snowbound suburban housing tract) blossoms into 3D only when viewer places Eye Opener before the right eye. (Keeping both eyes open, of course. As with all stereo experiences, center seats are best. Space will deepen as one views further from the screen.) The found-sound is X-ratable (not for children or Nancy Reagan) but is important to the film’s perfect balance (GLOBE is symmetrical) of divine and profane.” (KJ) (pasted in from http://nightingalecinema.org/ken-jacobs-x-3-old-new/)

I've seen it, and am not completely sure what I thought of it. It is at the least extremely interesting.

Fred Camper
Chicago

_______________________________________________
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Reply via email to