Hi again Jared,
Have a look at this link, it talks about prepping audio for 16mm mono track and 
creating optical tracks.
http://www.sfu.ca/~gotfrit/ZAP_Sept.3_99/f/fsnd_lect_16mm_mix.html



Roger D. WilsonFilm Scientist613 324 - 
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my 
career as an experimental film artist on this statement; and I welcome it as it 
pushes me forward as an artist to try something different, something new. 

From: jaredphutchin...@gmail.com
Date: Fri, 25 Apr 2014 14:35:21 -0500
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] Optical Sound - filter

Hello, all,I am almost ready to send out for an optical track for my first 
sync-sound print. I gave a call to the lab which photographs for optical tracks 
and I was told that my sound needed to be treated with an academy pre-emphasis 
filter. I was wondering if this (possibly expensive?) stage is necessary for my 
film sound. The soundtrack to my short is pretty primitive-sounding and not 
reliant on great fidelity.

Thanks!Jared

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