The opening of Mikael Kalatozov’s “I Am Cuba” (1964). It’s a narrative feature, but the camera moves are as experimental as it gets, pre-digital.
It isn’t film and it isn’t infrared, but Bill Viola’s “The Passing” (1991) has night vision scenes that look infrared (only better), especially in the Joshua Tree sequence. From: Heath Iverson Sent: Thursday, May 01, 2014 9:06 AM To: Experimental Film Discussion List Subject: [Frameworks] Infrared Film in Experimental Cinema Hi Frameworkers, I've been trying to think of films made using infrared sensitive film stock, especially color stocks like Kodak's Aerochrome III. At the moment, the only examples I can think of are Richard Mosse's The Enclave (2013) and a section from Oliver Stone's Alexander. Surely there must be more? Best, Heath -- Heath Iverson PhD Student, Film Studies University of St Andrews 99 North Street St. Andrews, KY16 9AD Scotland, UK -------------------------------------------------------------------------------- _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
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