Apologies if this sent twice... I though I had replied to this thread a few days ago but doesn't seem to have shown up as far as I can tell.
"Atman" by Toshio Matsumoto was shot on color infra red https://www.youtube.com/watch?v=MdcN8wDxT0Q bests, -kenny On Fri, May 2, 2014 at 10:54 AM, Nicholas Kovats <nkov...@gmail.com> wrote: > Ryan, > > An outstanding current example is filmmaker/photographer Richard > Mosse's film called "The Enclave" shot on 16mm Kodak Aerochrome color > infra-red film from the war ravaged Eastern Congo. Shot on the last > Super 16mm camera manufactured, the Arriflex 416, i.e. > > > http://nofilmschool.com/2013/06/infrared-cinematography-documentary-the-enclave/ > http://www.richardmosse.com/works/the-enclave/ > > Richard Mosse's infrared 16mm supplier is a German gentleman named > Dean (http://www.tarquinius.de/). As of Feb. 28, 2014 he is still > selling his 400ft rolls of 16mm Aerochrome from 2011 at $800 US a pop. > Check out my correspondence from last fall. > > Cheers, > > Nicholas > > ---------- Forwarded message ---------- > From: 120 aerochrome <aerochr...@live.de> > Date: Mon, Sep 9, 2013 at 1:58 AM > Subject: RE: Regarding 16mm Aerochrome film. > To: nkov...@gmail.com > > > Hi, > No i bought it Form a large production that had left over stock. > > Dean > Www.bennici.Net > > > Date: Sun, 8 Sep 2013 20:28:18 -0400 > > Subject: Regarding 16mm Aerochrome film. > > From: nkov...@gmail.com > > To: aerochr...@live.de > > > > Hi, > > > > It is with great interest that I came upon your web site regarding > > 16mm Aerochrome motion picture film as per Richard Mosse's incredible > > documentary. Did you manually cut and reperf from a larger batch > > (2011)? i.e. http://www.tarquinius.de/index.html > > > > Regards, > > > > Nicholas Kovats > > Toronto, Canada > > On Thu, May 1, 2014 at 11:46 AM, Ryan Marino <ryandmar...@gmail.com> > wrote: > > Not to change topics but does anyone know if infrared film is available > in > > 16mm? > > > > > > thanks, > > ryan > > > > > > On Thu, May 1, 2014 at 11:42 AM, Gene Youngblood <ato...@comcast.net> > wrote: > >> > >> The opening of Mikael Kalatozov’s “I Am Cuba” (1964). It’s a narrative > >> feature, but the camera moves are as experimental as it gets, > pre-digital. > >> > >> It isn’t film and it isn’t infrared, but Bill Viola’s “The Passing” > (1991) > >> has night vision scenes that look infrared (only better), especially in > the > >> Joshua Tree sequence. > >> > >> From: Heath Iverson > >> Sent: Thursday, May 01, 2014 9:06 AM > >> To: Experimental Film Discussion List > >> Subject: [Frameworks] Infrared Film in Experimental Cinema > >> > >> Hi Frameworkers, > >> > >> I've been trying to think of films made using infrared sensitive film > >> stock, especially color stocks like Kodak's Aerochrome III. At the > moment, > >> the only examples I can think of are Richard Mosse's The Enclave (2013) > and > >> a section from Oliver Stone's Alexander. Surely there must be more? > >> > >> Best, > >> Heath > >> > >> -- > >> Heath Iverson > >> PhD Student, Film Studies > >> University of St Andrews > >> 99 North Street > >> St. Andrews, KY16 9AD > >> Scotland, UK > >> > >> > >> ________________________________ > >> _______________________________________________ > >> FrameWorks mailing list > >> FrameWorks@jonasmekasfilms.com > >> https://mailman-mail5.webfaction.com/listinfo/frameworks > >> > >> > >> _______________________________________________ > >> FrameWorks mailing list > >> FrameWorks@jonasmekasfilms.com > >> https://mailman-mail5.webfaction.com/listinfo/frameworks > >> > > > > > > > > -- > > www.ryanmarino.com > > www.imminentfrequencies.com > > > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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