um, this is kindof awkward ~ I make & screen "glitch video". I love talking about datamoshing and other codec alteration processes work; it is unlike any analog film process, though analogies abound. I used to do 16mm hand-altered film, that’s part of why I’m on this list, it’s the tradition I came out of.
I’m also a theory person, so the “why glitch” conversation is very important for me, though I can’t claim to speak for anyone or glitch as a whole. Work samples are at my website, http://drawclose.com. Jessica On Sep 22, 2014, at 4:13 PM, robert harris <[email protected]> wrote: > Evan Meaney is deeply involved with the digital glitch. Smart guy, good > artist, fine human being. Has not worked, as far as I know, with hollywood > western footage. > Some of Meaney's work uses his own home (VHS) "movies", making it > self-referential and medium-referential. > He teaches in South Carolina, if you want to find him. > > > On Sep 22, 2014, at 3:52 PM, lana wrote: > >> Hi all, >> I have been trying to remember the name of a collaborative duo that made >> some videos I saw a few years ago. One of the long works was a video made >> from a Hollywood western. They used a technique that recorded digital >> glitches and artifacting that left streaks and blocks of color. Ring any >> bells? >> >> Any other suggestions of folks working with Digital Cinema/Video Art in a >> self-referential way, (the self being Digital Cinema), would be appreciated >> as well. >> >> Thanks, >> Lana >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks
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