''...the reflexive mode'' - that seems to apply to documentaries, and TMWAMC may not be a documentary but something else. Maybe something like an essay....
2014-11-23 20:48 GMT-04:00 Jonathan Walley <wall...@denison.edu>: > I’m not sure anything’s ever been written about DV/MWMC that *didn’t* > address his/its reflexivity. Any source you consult will have something to > say about it. Some recommended sources include: > > http://www.ucpress.edu/book.php?isbn=9780520056305 > http://ukcatalogue.oup.com/product/9780199388707.do > http://books.google.com/books/about/Documentary.html?id=qtZ91DNvgBMC > > This doesn’t mention TONS of scholarly essays on Vertov and MWMC. Lots to > work with. > JW > > Dr. Jonathan Walley > Associate Professor > Department of Cinema > Denison University > wall...@denison.edu > > > On Nov 23, 2014, at 4:08 PM, jaime cleeland <ethnom...@yahoo.co.uk> wrote: > > Hello, I am writing an academic essay about 'Man with the Movie Camera' > . Any pointers on the reflexive mode within the film would be helpful. > > Jaime > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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