Hollis Frampton's Surface Tension Wolf Vostell's Notstandbordstein sort of flips the derive - it turns the streets themselves into a screen - but the images are projected outside of a car, so it may not be appropriate. Youngblood talks about it in Expanded Cinema and there's a copy I believe at Filmmaker's Co-op.
On Sun, Mar 1, 2015 at 6:25 PM, Jason Halprin <jihalp...@gmail.com> wrote: > Off the top of my head, here are two that might fit: > > Bruce Biaille - Castro Street > Richard Myers - Zocalo > > > Jason Halprin > jihalp...@gmail.com > > On Sat, Feb 28, 2015 at 10:47 PM, Kelsey Velez <kelsve...@hotmail.com> > wrote: > >> Framworkers, >> >> I'm seeking suggestions for film based derivés, shot on 16mm or 8/s8mm. >> If you have an outstanding example of a video derivé to share, please feel >> welcome to do so. Anything in the vein of Tomonari Nishikawa's *Market >> Street* is ideal, but if you are particularly keen on a representational >> piece that does something interesting viz. the derivé, don't hold back. >> >> kv >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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