? Matt McCormick's _Subconscious Art of Graffitt Removal_, perhaps?
________________________________ From: FrameWorks <[email protected]> on behalf of Eli Horwatt <[email protected]> Sent: Sunday, March 1, 2015 5:44 PM To: Experimental Film Discussion List Subject: Re: [Frameworks] Derivés and City Symphonies Hollis Frampton's Surface Tension Wolf Vostell's Notstandbordstein sort of flips the derive - it turns the streets themselves into a screen - but the images are projected outside of a car, so it may not be appropriate. Youngblood talks about it in Expanded Cinema and there's a copy I believe at Filmmaker's Co-op. On Sun, Mar 1, 2015 at 6:25 PM, Jason Halprin <[email protected]<mailto:[email protected]>> wrote: Off the top of my head, here are two that might fit: Bruce Biaille - Castro Street Richard Myers - Zocalo Jason Halprin [email protected]<mailto:[email protected]> On Sat, Feb 28, 2015 at 10:47 PM, Kelsey Velez <[email protected]<mailto:[email protected]>> wrote: Framworkers, I'm seeking suggestions for film based derivés, shot on 16mm or 8/s8mm. If you have an outstanding example of a video derivé to share, please feel welcome to do so. Anything in the vein of Tomonari Nishikawa's Market Street is ideal, but if you are particularly keen on a representational piece that does something interesting viz. the derivé, don't hold back. kv _______________________________________________ FrameWorks mailing list [email protected]<mailto:[email protected]> https://mailman-mail5.webfaction.com/listinfo/frameworks _______________________________________________ FrameWorks mailing list [email protected]<mailto:[email protected]> https://mailman-mail5.webfaction.com/listinfo/frameworks
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