it is video, the sound and the length of the shootings are the original,
no moment of the shooting was removed by cutting, the sequence of the scenes is the same as the shooting was, without any cut or use of effects, comments, archive material or music was not used... but i am not sure if one can call dérive or stroling a walk through a place like auschwitz... the[video]Flâneu(R) shoots auschwitz <https://sites.google.com/site/videoflaneur2/the-videoflaneur-shoots-auschwitz> http://vad.nmartproject.net/?page_id=1975 konstantinos-antonios goutos please stroll with your mouse through my new web'xperiment-in-progress here! <http://konstantinosantoniosgoutos.wordpress.com/> 2015-03-05 7:15 GMT+01:00 Dominic Angerame <[email protected]>: > Check out my City Symphony Series that includes: Continuum; Deconstruction > Sight; Premonition; In the Course of Human Events; Line of Fire and The > Soul of Things. You can find descriptions on my website www.cinemod.net > also view some of the work on Fandor or Mubi or contact me off the list at > [email protected] > > On Sun, Mar 1, 2015 at 4:48 PM, Eric Theise <[email protected]> wrote: > >> James Benning's 9/1/75? >> >> P.S. Having made this mistake myself, the correct spelling is dérive, not >> derivé, see: http://en.wikipedia.org/wiki/D%C3%A9rive >> >> On Sun, Mar 1, 2015 at 4:08 PM, Carl E Bogner <[email protected]> wrote: >> >>> >>> Matt McCormick's _Subconscious Art of Graffitt Removal_, perhaps? >>> >>> >>> >>> ------------------------------ >>> *From:* FrameWorks <[email protected]> on behalf >>> of Eli Horwatt <[email protected]> >>> *Sent:* Sunday, March 1, 2015 5:44 PM >>> *To:* Experimental Film Discussion List >>> *Subject:* Re: [Frameworks] Derivés and City Symphonies >>> >>> Hollis Frampton's Surface Tension >>> >>> Wolf Vostell's Notstandbordstein sort of flips the derive - it turns >>> the streets themselves into a screen - but the images are projected outside >>> of a car, so it may not be appropriate. Youngblood talks about it in >>> Expanded Cinema and there's a copy I believe at Filmmaker's Co-op. >>> >>> >>> >>> >>> On Sun, Mar 1, 2015 at 6:25 PM, Jason Halprin <[email protected]> >>> wrote: >>> >>>> Off the top of my head, here are two that might fit: >>>> >>>> Bruce Biaille - Castro Street >>>> Richard Myers - Zocalo >>>> >>>> >>>> Jason Halprin >>>> [email protected] >>>> >>>> On Sat, Feb 28, 2015 at 10:47 PM, Kelsey Velez <[email protected]> >>>> wrote: >>>> >>>>> Framworkers, >>>>> >>>>> I'm seeking suggestions for film based derivés, shot on 16mm or >>>>> 8/s8mm. If you have an outstanding example of a video derivé to share, >>>>> please feel welcome to do so. Anything in the vein of Tomonari >>>>> Nishikawa's *Market >>>>> Street* is ideal, but if you are particularly keen on a >>>>> representational piece that does something interesting viz. the derivé, >>>>> don't hold back. >>>>> >>>>> kv >>>>> >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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