To say three film ? I would start with the history of Film / then the Man
with the moive camera  ?

On Sat, Mar 28, 2015 at 11:29 PM, Elizabeth McMahon <[email protected]>
wrote:

> RIP Cecile Starr. She championed so many experimental filmmakers,
> especially those who were women, and yes, it, gender, it is an important
> distinction. Few would know about Mary Ellen Bute (and Ted Nemeth), or
> (Alexander Alexeieff and) Claire Parker (or Starr and her husband, recently
> newly widowed husband, partner is celluloid crime Aram Boyajian) who, without
> her intense and incisive scholarship, advocacy, and distribution of
> experimental, avant garde, and animation of each type, we would all be so
> diminished in our understanding of film history.  Dennis is right about
> McClaren as so brilliant as to be included in the top of essentials, but I
> won't play this silly 3 films limit nonsense. All you need is the
> filmography from Anthology Film Archives ongoing, infamous "Essential
> CInema" series, a stalwart primer in basic film knowledge, to know what to
> program for your students or friends. Gary Handman, nee of UCLA, happily
> retired albeit available if you seek him out, is a librarian after just
> about everyone's heart, his syllabi in film studies over the years he
> worked and taught are essential, too, if what to see and know about in film
> history and studies. Perfect distillations with no BS.
>
> But, yeah, for each of the 3 chosen, I would program McLaren. "Neigbours"
> and "Spook Sport" are my two faves. Geez, Oskar Fischinger is my favorite,
> anything just anything, and good golly, Lotte Reineger, anyone? See, I
> succumbed and fell in to this nonsense. This is just absurd.
>
> Elizabeth
>
> On Sat, Mar 28, 2015 at 5:26 PM, Dennis Doros <[email protected]> wrote:
>
>> There are no three possible to represent the entire world of experimental
>> film.
>>
>> But for women, you might want to start with Suspense by Lois Weber and
>> Philip Smalley. It's extremely experimental for the year it was made.
>>
>> And with Shirley Clarke, having seen all of them now about two dozen
>> times each over the past six years, I know that BRIDGES-GO-ROUND is
>> everybody's favorite but I would say MOMENT IN LOVE is mine. Seeing her
>> outtakes and notebooks, it's the one she worked the hardest to create and I
>> love the work of choreographer Anna Sokolow. Also, we are just starting to
>> show D. A. Pennebaker and Shirley Clarke's BRUSSELS LOOP films (there were
>> also four or five other filmmakers involved) and they are really incredible
>> up on the screen.
>>
>> But especially for artists, it's almost impossible not to include the
>> best of experimental film without my favorite, which is BEGONE DULL CARE by
>> Norman McLaren (and Evelyn Lambert) and it's tough to show him without the
>> best of Len Lye.
>>
>> Also in mind with artists, and for more collaborations between man and a
>> woman, you can't really go wrong with Alexeieff and Parker pin animation.
>>
>>
>> Best regards,
>> Dennis Doros
>> Milestone Film & Video
>> PO Box 128 / Harrington Park, NJ 07640
>> Phone: 201-767-3117 / Fax: 201-767-3035 / Email: [email protected]
>>
>> Visit our main website!  www.milestonefilms.com
>> Visit our new websites!  www.mspresents.com, www.portraitofjason.com,
>> www.shirleyclarkefilms.com,
>> To see or download our 2014 Video Catalog, click here
>> <http://cdn.shopify.com/s/files/1/0150/7896/files/2014MilestoneVideoCatalog.pdf?75>
>> !
>>
>>
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>>
>>
>> On Fri, Mar 27, 2015 at 1:43 PM, Donal OCeilleachair <[email protected]
>> > wrote:
>>
>>> Dear Frameworkers:
>>>
>>> I am working on a new film project with the Ealaíontóirí Mhuscraí
>>> (that's Irish for the Muskerry Region Artists Group)
>>>
>>> Part of the project will involve film / video making workshops where I
>>> will show
>>> them works from experimental film, creative documentary and artists'
>>> moving image works
>>> as a point of reference and inspiration for their own initial
>>> explorations
>>> into the realm of the moving image
>>>
>>> I am compiling a short-list of 'Essential' works to show them during
>>> these workshops
>>> and I would appreciate responses to the question:
>>> 'What are the 3 Essential Films that you would show Artists
>>> on their first foray into the Moving Image Realm ?'
>>>
>>> I look forward to hearing any suggestions
>>>
>>> Le míle buíochas (with many thanks)
>>> --
>>> Dónal Ó'Céilleachair
>>> www.anupictures.com
>>>
>>>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> [email protected]
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>>
>>
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>>
>
>
> --
> Elizabeth
>
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