I've seen pieces that were shot bi-packed in a Bolex using camera stocks. I've 
shot a fair amount of acetate stock in camera, both single frame and continuous 
without issue. I guess I'll have to do dummy load tests with acetate-polyester 
then acetate-acetate. 


> On Dec 3, 2015, at 08:30, Bernd Lützeler <[email protected]> wrote:
> 
> I have heard of this idea, using the Bolex as a contact printer. Not with 
> these particular stocks. Rather like a rumor...
> 
> Bernd.
> 
> 
>> Am 03.12.2015 um 06:19 schrieb Dominic Angerame <[email protected]>:
>> 
>> I think its a big mistake to attempt. There does not seem to be room for the 
>> thickness of the stock and the Bolex has no registration pin to keep frames 
>> steady. I would not like to damage my Bolex through bi-paking.
>> 
>> Dominic
>> 
>>> On Tue, Dec 1, 2015 at 9:49 AM, Francisco Torres <[email protected]> 
>>> wrote:
>>> 
>>> try this book-
>>> 
>>> Techniques of Special Effects of Cinematography
>>>  By Raymond Fielding
>>> 
>>> https://www.google.com.pr/search?tbo=p&tbm=bks&q=isbn:1136055533
>>> 
>>> the nypl used to have it.... years ago.
>>> 
>>> it cites this article---
>>> 
>>> '' bipacking with a bolex'', American Cinematographer, March 1964,p.140 
>>> Day,W. Percy
>>> 
>>> 2015-12-01 7:44 GMT-04:00 Chris G <[email protected]>:
>>>> Hi all,
>>>> 
>>>> I was wondering if it was especially idiotic to bi-pack two acetate-base 
>>>> stocks (in this case both Kodak Hi-Con) in a Bolex for mattes while 
>>>> running it slowly with an animation motor. 
>>>> 
>>>> Thanks!
>>>> Chris
>>>> 
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