Hi Marco: I wasn't watchng when you posted the request, but I have to wonder how these works were shown, given that everything has been forced into lower case titles.
On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni <[email protected]> wrote: > Hello all, > I just finished screening a number of films at the University of the > Arts of Helsinki, in the context of a workshop for graduate students > about filmmaking at the anthropocene. > Some of you helped me identify suitable movies, and I am very thankful > to you. I had promised, in return, to share my final selection. Here > it is. > Very best, > Marco > > susan schuppli, can the sun lie?, 2011 (?) > michael snow, la region centrale, 1971 > carlos reygadas, silent light, 2007 > bruce conner, crossroads, 1975 > steven osazaki, white light, black rain, 2007 > robert smithson, spiral jetty, 1970 > james benning, casting a glance, 2007 > marco poloni, the analogue dam, 2010 > thomas campbell, the present, 2009 > jean painlevé, the love life of the octopus, 1967 > walon green, the secret life of plants, 1978 > ramin bahrani, the plastic bag, 2009 > chris welsby, wind vane, 1972 (not projected, could not find a copy in > time) > and, along the lines of an animistic turn: > jean rouch, les maîtres-fous, 1955 > alfred clah, intrepid shadows, 1966 > lucien castaing-taylor & véréna paravel, leviathan, 2012 > > -- > > > > Marco Poloni > http://www.theanalogueislandbureau.net > Usedomer Strasse 8 > D – 13355 Berlin > gsm de +49.163.6294080 > gsm ch +41.78.6322028 > skype marcopoloni > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks >
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