Thanks so much for posting this list. It's useful to my current teaching at Evergreen which is focused on integrating animation with marine microbiology and the anthropocene. In fact I just screened a few of Painlevés films day before yesterday.
Ruth Hayes http://www.randommotion.com blogs.evergreen.edu/hayesr On Jan 28, 2016, at 12:43 PM, Marco Poloni wrote: > i was trying to articulate a flat ontology in which human and nonhuman > entities somehow have an equivalent agency. la jetée didn't do it to > me: it's a narrative about humans against a passive backdrop > > On 28 January 2016 at 21:33, Francisco Torres <fjtorre...@gmail.com> wrote: >> la jette ? >> >> 2016-01-28 16:09 GMT-04:00 Bernard Roddy <tactilecor...@gmail.com>: >>> >>> Hi Marco: >>> >>> I wasn't watchng when you posted the request, but I have to wonder how >>> these works were shown, given that everything has been forced into lower >>> case titles. >>> >>> On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni <mar.pol...@gmail.com> >>> wrote: >>>> >>>> Hello all, >>>> I just finished screening a number of films at the University of the >>>> Arts of Helsinki, in the context of a workshop for graduate students >>>> about filmmaking at the anthropocene. >>>> Some of you helped me identify suitable movies, and I am very thankful >>>> to you. I had promised, in return, to share my final selection. Here >>>> it is. >>>> Very best, >>>> Marco >>>> >>>> susan schuppli, can the sun lie?, 2011 (?) >>>> michael snow, la region centrale, 1971 >>>> carlos reygadas, silent light, 2007 >>>> bruce conner, crossroads, 1975 >>>> steven osazaki, white light, black rain, 2007 >>>> robert smithson, spiral jetty, 1970 >>>> james benning, casting a glance, 2007 >>>> marco poloni, the analogue dam, 2010 >>>> thomas campbell, the present, 2009 >>>> jean painlevé, the love life of the octopus, 1967 >>>> walon green, the secret life of plants, 1978 >>>> ramin bahrani, the plastic bag, 2009 >>>> chris welsby, wind vane, 1972 (not projected, could not find a copy in >>>> time) >>>> and, along the lines of an animistic turn: >>>> jean rouch, les maîtres-fous, 1955 >>>> alfred clah, intrepid shadows, 1966 >>>> lucien castaing-taylor & véréna paravel, leviathan, 2012 >>>> >>>> -- >>>> >>>> >>>> >>>> Marco Poloni >>>> http://www.theanalogueislandbureau.net >>>> Usedomer Strasse 8 >>>> D – 13355 Berlin >>>> gsm de +49.163.6294080 >>>> gsm ch +41.78.6322028 >>>> skype marcopoloni >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> FrameWorks@jonasmekasfilms.com >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > > -- > > > > Marco Poloni > http://www.theanalogueislandbureau.net > Usedomer Strasse 8 > D – 13355 Berlin > gsm de +49.163.6294080 > gsm ch +41.78.6322028 > skype marcopoloni > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks
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