Thanks again, all, for these suggestions. It seems the subject is of interest to Frameworkers. We saw Peter Greenaway’s “Eisenstein in Guanajuato” today. It’s a mess overall, but it does have some very inventive circular camera moves, all the more interesting for the way they’re edited. One scene alternates rapidly between 360-degree dollies and pans in one space, something I hadn’t seen before.
> On Feb 24, 2016, at 10:04 AM, Salise Hughes <salise.hug...@gmail.com> wrote: > > It's been a while since I've seen Fassbender's Whity, but I remember an > inverted 380 tracking shot focused on the exchange of cash, the moment love > turned to commerce. > > On Tue, Feb 23, 2016 at 10:13 PM, salise.hug...@gmail.com > <mailto:salise.hug...@gmail.com> <salise.hug...@gmail.com > <mailto:salise.hug...@gmail.com>> wrote: > Fassbender's Whity (1971). > > ----- Reply message ----- > From: "Hardin, Ted" <thar...@colum.edu <mailto:thar...@colum.edu>> > To: "Experimental Film Discussion List" <frameworks@jonasmekasfilms.com > <mailto:frameworks@jonasmekasfilms.com>> > Subject: [Frameworks] 360 degrees > Date: Tue, Feb 23, 2016 8:27 pm > > > Rainer Werner Fassbinder’s fondness for this technique was on display at the > Martin Gropius Bau in Berlin last year. Here’s a list of films that were > displayed: “Another room in Fassbinder – JETZT is dedicated to one of > Fassbinder’s favoured formal techniques: the 360 degree tracking shot. Scenes > from Rio das Mortes (1970), World on a Wire(1973), Martha (1973), Chinese > Roulette (1976), Berlin Alexanderplatz (1979/80), and Querelle (1982) play on > a loop on a hanging screen.” > > ‘Chinese Roulette’ has my favorite 720 degree tracking shot through glass > shelves. > > The write up: > http://berlinfilmjournal.com/2015/08/petrified-fassbinder-jetzt-annotated/ > <http://berlinfilmjournal.com/2015/08/petrified-fassbinder-jetzt-annotated/> > > ‘Martha’ clip: https://www.youtube.com/watch?v=8z0tVsI-63g > <https://www.youtube.com/watch?v=8z0tVsI-63g> > > Ted Hardin > Columbia College Chicago > >> On Feb 23, 2016, at 8:10 PM, Fred Camper <f...@fredcamper.com >> <mailto:f...@fredcamper.com>> wrote: >> >> A handheld 360 movement around two young men kissing in an obvious homage to >> the "Vertigo" kiss appears in Warren Sonbert's first film, "Amphetamine." >> >> Fred Camper >> Chicago >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> > > > > > -- > Salise Hughes > Artist, Filmmaker, Armchair Anthropologist > > http://salisehughes.blogspot.com <http://salisehughes.blogspot.com/> > https://vimeo.com/user1421998 <https://vimeo.com/user1421998> > > > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> > https://mailman-mail5.webfaction.com/listinfo/frameworks > <https://mailman-mail5.webfaction.com/listinfo/frameworks>
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