Ben Rivers - We The People
is a great *empty* streets film.

On Tue, Mar 15, 2016 at 8:27 PM, Gene Youngblood <[email protected]> wrote:

> Thanks Andy. A very imaginative piece.
>
> On Mar 15, 2016, at 3:19 PM, Andy Ditzler <[email protected]> wrote:
>
> A most astonishing empty-street film is James Nares' "Pendulum," filmed
> near the corner of Staple and Jay Streets in NYC, 1976. The occasional
> person or car is glimsped on the street as the titular pendulum swings to
> and fro, but for the most part the surprising emptiness of the Manhattan
> streets is crucial to the film's magical atmosphere.
>
> A pixleated excerpt, minus the section where the camera is attached to the
> pendulum, is here:
> http://www.nytimes.com/video/t-magazine/100000001274396/pendulum.html
>
> Andy Ditzler
>
>
>
> Andy Ditzler
> Founder and curator, Film Love: www.filmlove.org
> Co-founder, John Q collective: www.johnq.org
>
>
>
> On Thu, Mar 10, 2016 at 5:43 PM, Gene Youngblood <[email protected]>
> wrote:
>
>> Friends, in the last couple of weeks you have generously assisted me in
>> finding films with certain content, like shadows, swings, and 360-degree
>> camera moves. They’re for two presentations I’m giving in San Francisco
>> late April, which I’ll tell you more about as the time approaches.
>> Meanwhile, I need two more:
>>
>> 1. Empty city streets. “The World, Flesh, and the Devil” is an example,
>> New York without people.
>>
>> 2. In Woody Allen’s “Annie Hall” subtitles tell us what he and Diane
>> Keaton are really thinking as they talk with one another. I’m drawing a
>> blank on another, more recent, film with well known actors that has a
>> similar scene. My recollection is that it’s not necessarily intended to be
>> humorous, but I could be wrong about that. Any ideas about this or any film
>> in which the technique is used? It has to be text on screen, not voice-over
>> “inner monologue,” which text represents in these instances.
>>
>>
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— THE FIERY PART OF FIRE (Cameron Gibson at the Nightingale
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