Hi Eric, thanks for sharing, it's a fantastic idea. I wonder, what was the audience reaction to "A Roll For Peter". Is this film the result of a selection or anyone who shot a roll got in?
Best, Esperanza 2016-11-28 20:31 GMT+01:00 Scott MacDonald <smacd...@hamilton.edu>: > *Hey Eric,* > > *I would like to see (and possibly host) the show in the spring, late > spring ideally, at Hamilton College. * > > *But I should mention that in connection with a Hutton memorial event at > the Thomas Cole National Historic Site this past October, a beautifully > illustrated catalog was produced; I wrote the catalog essay. Should venues > want to make this catalog available (or sell it as a fund-raiser), they > should contact me off FRAMEWORKS at <smacd...@hamilton.edu > <smacd...@hamilton.edu>>.* > > *Best,* > *Scott* > > > > On Mon, Nov 28, 2016 at 12:13 PM, Eric Theise <ericthe...@gmail.com> > wrote: > >> Hello Frameworkers, >> >> You may be aware that Jennifer Reeves & Mark Street, as a tribute to the >> late Peter Hutton, put out a call for submissions of 100 foot rolls of 16mm >> black and white shot with Peter in mind. The compilation, "A Roll for >> Peter", screened at Bard College on 22 October and had a sold out screening >> as part of Mono No Aware's festival in Brooklyn on 9 November. >> >> http://mononoawarefilm.com/calendar/2016/11/9/mono-x-gowanus-darkroom >> >> Like me, you may have thought: I'd kinda like to see that before it gets >> disassembled. >> >> So. I've volunteered to coordinate a tour of the project. We'll likely >> have a screening in Oakland, CA, during the first half of December and a >> San Francisco screening sometime in 2017. There's also been interest >> expressed in University of Wisconsin Milwaukee and University of Central >> Florida screenings in 2017. >> >> This is an invitation for you to contact me if you'd be interested in >> screening the project between now and May 2017. >> >> There's a single projection segment that runs 45 minutes and a double >> projection segment that runs 15 minutes. A venue needs two comparable 16mm >> projectors and a "wide enough" projection area. Academic venues should not >> charge admission for a screening; microcinemas & artist-run spaces may >> charge enough to cover their expenses. All venues are responsible for >> timely and insured shipping to the next venue on the tour. >> >> I'll note that the two New York screenings also screened Hutton's "New >> York Portrait, Chapter I", but venues would be on their own to rent or >> otherwise screen material beyond "A Roll for Peter". >> >> I'll coordinate dates, put up a page for the project, keep tabs on the >> whereabouts of the reels, and make sure screenings are listed in "This week >> in avant garde cinema". >> >> Please get in touch if this is something you'd like to be a part of. >> >> Thanks, Eric >> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -- Esperanza Collado - - - - - - - - - - - - - - www.esperanzacollado.org
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