I can't imagine a screening more 'educational' (and edifying and inspiring)
than a series of Peter Hutton's films.

Mark Street
www.markstreetfilms.com

On Sun, Dec 4, 2016 at 11:52 AM, Shumona Goel <shumonag...@gmail.com> wrote:

> As a student of Peter Hutton's, I remember distinctly, the first time I
> saw Peter's films projected on film. The auditorium was full and remained
> in pindrop silence through the evening length screening.
>
> One the many things that has stayed with me since that screening, was how
> he had shot a lamp post lit up at night. It was a long take, nothing moved.
> I think there was some snow in the frame. He shot at 8 frames per second
> and over time, you could see the movement of the light from the lamp post.
>
> Amazing.
>
> On Dec 4, 2016 10:11 PM, "Tim Halloran" <televis...@hotmail.com> wrote:
>
>> "...an act of love..." Nicely stated.
>>
>> Cheers.
>>
>> Tim
>>
>> Sent from my iPad
>>
>> > On Dec 3, 2016, at 12:11 PM, Chuck Kleinhans <chuck...@northwestern.edu>
>> wrote:
>> >
>> > 1.  Hutton was an educator.
>> >
>> > 2.  For most people, appreciation of “pure” art, of “extremely
>> disciplined style” is learned, not an inherent given of personality,
>> biology, or whatever.  Taste is a social construction,
>> >
>> > 3.  Educating potential viewers so they can have such art experiences
>> is (at least in part) an act of love, a social act that makes this a better
>> world.
>> >
>> > Chuck Kleinhans
>> >
>> >
>> >
>> >> On Dec 3, 2016, at 11:03 AM, Bernard Roddy <tactilecor...@gmail.com>
>> wrote:
>> >>
>> >> Frameworkers!  I don't know who you are, but . . .  It's like the
>> >> letters my father writes that I never answer.  They just keep coming,
>> >> even as I throw them directly in the trash.  What, then, is it to
>> >> write someone, anyway?
>> >>
>> >> But Peter Hutton work screened at Nightingale.  And I wonder, well:
>> >>
>> >> What does this have to do with higher education?  That wasn't the
>> >> first thing, though.  It was, is this still acceptable?  It was funny,
>> >> after the show - all totally silent - I had to think of André Kertész
>> >> photographs.  Is this even experimental?  The girl in the seat in
>> >> front of me rested her head on her boyfriend's shoulder.  It was an
>> >> experience resembling a service of some kind.  The show was very well
>> >> attended.  I'm not just saying that.  And understandably so, because
>> >> the experience is hard to get!  It's in film, for god's sake, and it
>> >> couldn't possibly be otherwise - it's pure, it's committed to this
>> >> extremely disciplined style.  You could think, you could wait, and
>> >> there was never anything to distract you . .  (I'm thinking of the
>> >> river film and the Polish city film) . .  But then there's that what
>> >> does this have to do with higher education?  Can this really be part
>> >> of a course of study?  That's where I lose it.
>> >>
>> >> Bernie
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