it may be that all films lie. that is what make them such fun.

2017-02-22 14:31 GMT-04:00 lagonaboba <[email protected]>:

> from the Filmmaker’s Coop Catalog: (description seems laden with
> Coyote-esque obfuscation, and I wrote it…)
>
> Robert Harris
> <http://film-makerscoop.com/rentals-sales/search-results?fmc_author=1035>
>
> *COYOTE  *(1997
> <http://film-makerscoop.com/rentals-sales/search-results?fmc_year=1997>) DVD
> NTSC, color, 17:07 min
>
> Genre: Documentary
> <http://film-makerscoop.com/rentals-sales/search-results?fmc_genre=genre_documentary>
> , Experimental
> <http://film-makerscoop.com/rentals-sales/search-results?fmc_genre=genre_experimental>
>
> Keywords: Ethnic/Multicultural
> <http://film-makerscoop.com/rentals-sales/search-results?fmc_keyw=key_ethnic_multicultural>
>
> COYOTE is an invocation of the many shady, shifting forms of Coyote, wide
> dog, Trickster, and smuggler, told in a style that mimics his multifarious
> shape. COYOTE abandons unified visual style. The narrative is fractured, a
> blend of documentary and fiction, contradictory voices, myths, and lies.
> Through a discontinuity between images, between image and text, between
> textual voices; through a clash of human and non-human voices, fixed
> meaning is undermined. Contradiction, displacement and disruption force the
> viewer's participation. Text and image drift in and out of moments of
> relative, subjective synchronicity. A reading ascribed to a given image
> will dissolve with the change of accompanying text. As meaning becomes
> contingent on viewer and context, authorship shifts from video-maker to
> collective process. COYOTE is an accumulated cacophony of evidence
> fragments where meanings coagulate in the resonant harmonics of the various
> voices.
>
>
>
>
> On Feb 21, 2017, at 8:49 PM, Morgan Hoyle-Combs <[email protected]>
> wrote:
>
> Hello
>
> Does anyone know of any film (essay/diary/doc) where lying is a theme or
> the main focus? I wondered if there was anything that ran among these
> lines:
>
> 1. The audience is well aware that the narrator/filmmaker is lying to them
>
> 2. The audience does not know whether or not the narrator/filmmaker lying
> to them. It's left ambiguous.
>
> _______________________________________________
> FrameWorks mailing list
> [email protected]
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
> _______________________________________________
> FrameWorks mailing list
> [email protected]
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks

Reply via email to