In a message dated 4/24/2006 3:33:08 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

As  a
>>person who teaches costume history to college  students,


******************
 
When teaching the actual history of costume, movies can indeed be a pain in  
the ass. But if you're teaching design, and costuming, they can be most 
helpful.  Especially in periods that are difficult with hoops and corsets and 
padding and  other contraptions. Learning by example.
 
"Gone With the Wind" can be helpful at showing how hoops move, and is full  
of the most helpful details as costume relates to character and changes....like 
 removing hoops because of a change of fortune [now the skirt drags, how can  
you as a designer use that?] or the dilemma of Melanie arriving at Tara 
during  the war in her night gown and nothing else.[Put her in something 
already at 
 Tara:  one of Careen's or Suellen's gowns. Plunket's solution is  to put 
Melanie in the same skirt you saw Careen in before the  war....emphasizing it 
because it is only tea length so a piece of black cloth is  sewn to the bottom 
of 
it to make it reach the floor. It's thinking things  through.]
 
"Dangerous Liaisons" is helpful in seeing what you can achieve with  
panniers. Couple it with "Tom Jones" and you can see how the approach to  
construction 
of good design can make or break it. "DL" has respect for period  methods 
whereas Tom Jones has perfectly good designs, all with zippers up the  
back...alas.
 
"The Bostonians" and "Age of Innocence" shows students how they may have  to 
deal with movement and sitting and such in a difficult period [cuirass  
bustle]. And a film like "The Piano" illustrates how using a period hair style  
we 
find strange or ugly enhances character [so "pretty" is not always the goal]  
and how using and mixing up "native" materials can create a sense of  reality 
and interest [waistcoats made of Maori fabrics and the native woman  who wears 
with her cast off European gown a top hat and tail coat.] If you're  doing "A 
Doll's House", how can you make fashions look like Norway? What  details will 
keep opera goers reminded of Seville in "Le Nozzi di Figaro?"
 
But this is design....not history. However, it helps to know and respect  
history so you can formulate interesting feats like these to help make designs  
come alive.
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