In a message dated 6/28/2006 12:32:43 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

The  author does mention that
> > pure white often looks too bright on  camera, and so he overdyes with a
> > weak solution of Rit tan to  make it a shade that "looks" white, or just
> > off-white, when  filmed.



************************
 
This is true of stage too. But most wardrobe people I know,  film or stage, 
use Rit Ecru to tech white down. Well most often. Tan in Rit  is on the pink 
side. And Beige in Rit is on the green side. Ecru is yellowy. All  read as 
white. It depends on which way you want the white to go.  Warm...ecru or tan. 
Cool 
beige or a watered down grey.
 
I had a colleague who used to tech with some chemical he ordered in the  
mail. It was a dark powder that a small amount in a washer load would tech [to 
a  
warm brownish tint] things permanently. It never came out! It would also work  
[quickly]for small items in a hotel sink. The powder turned the water light  
purple. I remember a designer panicking when she saw the whites in a purple  
bath, but they came out a perfect brownish tint.
 
I don't remember what chemical it was he was using. It was like  Iodine, 
y'know....purple but tuned everything it touched to brown. Does anyone  know 
what 
I'm talking about?
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