Robin, I think you are pushing this argument too far.  There are too  
many women in this scene for them *all* to be attendants.  What I see  
here is the custom of visiting the mother following delivery to  
congratulate her on a safe and happy outcome -- some of these ladies  
have just arrived, so they're not in a state of undress.  In fact, I  
would expect them to be wearing their best on a visit of such  
ceremonial importance.

There is another image, IIRC in a museum in France (will provide  
reference later), showing Isabella and her ladies in similar gowns  
with a sort of loose sleeveless overgown, open down the front.  Such  
an overgown would suggest that the gown with hoops on the outside is  
a fashionable garment and not something that is intended to be hidden.

Suzanne

> From: Robin Netherton <[EMAIL PROTECTED]>
> Date: June 10, 2008 9:12:35 PM CDT
> To: Historical Costume <[EMAIL PROTECTED]>
> Subject: Re: [h-cost] Farthingale thoughts
> Reply-To: Historical Costume <[email protected]>

> <message trimmed>

> Although this is another Biblical image, it does make me think that  
> perhaps the key is not simply real vs. biblical/historical/ 
> allegorical, but also the nature of the setting and the mood the  
> artist wanted to evoke. This appears to be a Birth of Mary image,  
> and the scene takes place in the confines of a lady's chamber, with  
> only other ladies in attendance. That's a circumstance where it  
> might make sense for upper-class women to be without their formal  
> overgowns.
>
> It may be that showing these women without overskirts reflects the  
> artist's intent to show the intimacy of the scene. If so, the style  
> might be "real," but that doesn't mean it would be considered  
> fashionable for women to have appeared in hoops without overskirts  
> on the street, or at dinner, or at church.
>
<trimmed again>
>
> --Robin

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