I was remarking to a friend last night that in the photos the fabrics
(silks?) of the dresses look like very modern shantungs--too slubby
for the period, but in the film they don't come across that way it
all.  I am sorry the wedding dress wasn't really seen much in the
film, there is a picture of it on the movie website in the costume
section:

http://www.theyoungvictoriamovie.com/

I do wish they had put more detailed pictures of the gowns on the site.

Also, on the photos section on the same site, the 5th picture
(Victoria tte-e-tete with the king) you can see her loop of hair in
her bun is stiffened/lined with white horsehair braid--They should
have used a darker color. :~)

Katy

On Tue, Jan 26, 2010 at 1:18 PM, Becky Rautine <zearti...@hotmail.com> wrote:
>
> Just like the special effects done by computer... things aren't always what 
> they seem. I think it's great to fudge the reality of fabrics sometimes. 
> Unless someone has their hands on the fabric itself, probably won't be able 
> to tell when it's real or faked. It got the desired "effect" that affected 
> the scene so congratulations on the work!! Need help sometime? Just give me a 
> call if you want more hands to help.
>
> Sincerely,
> Rebecca Rautine
>
>
>
>> To: h-cost...@indra.com
>> Date: Tue, 26 Jan 2010 12:20:01 -0500
>> From: albert...@aol.com
>> Subject: Re: [h-cost] The Young Victoria's Film Costumes
>>
>>
>>
>> There are painted costumes.
>>
>> *********
>>
>>
>> There was a wonderful Dutch fabric painter (who I got along with famously) 
>> on "Interview with the Vampire" (Sandy Powell designed that) and much 
>> painting in that film. Several people in the shop were worried about things 
>> looking painted instead of embroidered but in the film, everything looks 
>> fine.
>>
>>
>> The painting also goes further than just imitation of time consuming 
>> embroideries, but some plain fabrics are given "texture" and depth by 
>> painting. In "Interview..." for example, the two young boys Claudia uses to 
>> trick Lestat into drinking "dead" blood... The director decided he wanted 
>> the boys dressed alike, so we had to whip up the day before some breeches 
>> for them (I had to make them without measurements!) The fabric I was given 
>> was a typical moire acetate taffeta in electric yellow! Matilde (the Dutch 
>> fabric painter) sprayed and painted the breeches after they were made up to 
>> look as they do in the film: a sort of shimmery ochre, which up close glowed 
>> and sparkled with a hint of metalic.
>>
>>
>>   And of course there's "teching" ("Distressing" in theatre terms) which is 
>> aging of garments right off the sewing machine. A task I enjoy. It's like 
>> makeup for clothes and you can "tell a story" with where stains and worn 
>> places are placed.
>>
>>
>>
>>
>>
>>
>>
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-- 
Katy Bishop, Vintage Victorian
katybisho...@gmail.com                www.VintageVictorian.com
     Custom reproduction gowns of the Victorian Era.
      Publisher of the Vintage Dress Series books.
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