Sigh. Must reconstruct my thoughts, stupid e-mail program erased my message 
when I hit "send". I hate Microsoft.



Assuming the patterning isn't a matter of artistic license, I think this is a 
combination of bias use of a woven stripe fabric, and piecework (constructing 
fabric out of contrasting strips). Painted fabric wouldn't hold up well. 
Piecework would have been in the craft vocabulary because of domestic textiles 
and repair work, as well as to fill in missing corners during garment 
construction (widening skirts, lengthening sleeves, etc.),

If a tailor had striped fabric to work with, it isn't a stretch to see him play 
around with the patterns that so easily pop up when moving one piece of striped 
fabric around on top of another. Especially given the existing patterning in 
contemporary architecture, tiles, etc. Chevrons, here we come! 

My question is: how many of the striped garments depicted in the Codex are 
diagonals as opposed to verticals and horizontals? Would it be more expensive 
to be wasteful of cloth by using up a length of woven striped cloth on the 
bias, or to pay for the labor of building up a bias cloth out of scrap 
straight-grain contrasting strips? The people shown in the Codex are either of 
high rank, or are employed by someone of high rank who wants to show himself to 
best advantage (See? I can afford to dress my retainers this way.) If labor is 
cheap, I could see the noble in a bias-cut garment wasteful of cloth, and his 
retainers in piecework strip versions made of scraps.


Certainly at the other end of the century the argument for constructed stripes 
is easier to make. For example, many of the frescoes at Runkelstein in Tyrol 
show people wearing graded stripes. One man's stripes, to judge by the scale of 
his body to his garment, are about 1 - 1.5 inches at his collar and get to be 6 
- 8 inches (if not wider) at the hem of his floor-length houppelande.


Astrida
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