I have all my HGs in Just Temperament
I play often with other Equally Tempered instruments
It is NEVER a big problem
The major thirds are the only possible problem
The Just Tempered thirds are flat to Equal Temperament
All you have to do is push them a little sharper with extra finger pressure
Equally Tempered thirds are 14% of a semitone out of tune

Graham

-----Original Message-----
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
Chris Nogy
Sent: 08 March 2007 19:53
To: hg@hurdygurdy.com
Subject: Re[2]: [HG] Key placement calculator


Split the difference.  Tangents have a certain amount of adjustment, the
problems occur when you get too far from 90 degrees from the string.  So if
you set your keyslip placement up halfway between the just and equal
temperament positions for each note, you can easily set the tangents for one
or the other (Even Temperament makes the instrument play more like a piano,
which allows you to play parts in groups in a way that sounds right to most
ears.  Just temperament is a more true presentation of the frequencies, and
the instrument sounds better to a lot of ears when played solo, even though
you will be out of tune with most other even tempered instruments, and the
effect can be glaring).

Unfretted string players have the benefit of simply rocking a finger to
bring a note into either/or, as the amount is usually less than a nickel off
in tuning.  Fretted players (Guitar, HG, electric bass) need to set their
frets either/or.  The benefit of the tangents being movable is that we may
have to set it up for one or the other for a song, but we can change it with
short work.  You can't change your frets on a standard banjo or guitar...

Chris

*********** REPLY SEPARATOR ***********

On 3/8/2007 at 10:35 AM Seth Hamon wrote:
  This is great... So when marking where your going to put the tangents. Do
you use the measurments from the Equal or the Just Temperment side... I
suspect Equal... Cheers, Seth

  Graham Whyte <[EMAIL PROTECTED]> wrote:
    There is tried and tested key position calculator at
    http://www.hurdygurdy.org
    Just click on "Resources" on the home page
    It gives you the exact key positions for a 345mm sounding length
    It gives both Equal and Just temperament values for 2 octaves
    If you download the Excel sheet you can enter any string length
    Chris Allen uses these numbers for all his HGs
    In fact I believe he sets his keys midway between the 2 temps
    This means that both Just or Equal can be set with minimal tangent
angles

    Graham Whyte

    -----Original Message-----
    From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf
    Of [EMAIL PROTECTED]
    Sent: 07 March 2007 23:55
    To: hg@hurdygurdy.com
    Subject: Re: [HG] Shaft and wheel relationship


    > I was going to use the Lambert plans for the body style , but
incorporate
    the
    > plans from the Dewit book for all the lengths and key placements. And
boy
    do
    > those plans make this insturment look tiny... Seth

    You may benefit from doing the math yourself for key placement - I don't
    recall how accurate they were. The math for each tangent placement can
be
    worked out from first principles starting with the 12th root of 2
(because
    it
    takes twelve divisions to get to half of the string length at the 12th
    tangent
    or fret) - or you can look around online for a fret position calculator,
of
    which there are many for aspiring guitar-builders. A typical chanter
string
    sounding length is 344 mm.

    After that it's a matter of deciding where the wheel should go and how
wide
    it
    should be, and doing the requisite math to get the wheel angle right so
that
    the ears don't stick 'way out and make your gurdy look like H. Ross
Perot.
    That's where things get REALLY interesting.

    There's a thought - a gurdy with the peghead carved with the likeness of
H.
    Ross. OK, let's not go there.

    Alden


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